FILM AND CULTURE: A series of Columbia University Press

Virginia Wright Wexman

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FILM AND CULTURE

A series of Columbia University Press

Virginia Wright Wexman

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Ein Kapitel aus dem Buch Hollywood's Artists

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Wexman, Virginia Wright. "FILM AND CULTURE: A series of Columbia University Press". Hollywood's Artists: The Directors Guild of America and the Construction of Authorship, New York Chichester, West Sussex: Columbia University Press, 2020, pp. 299-303. https://doi.org/10.7312/wexm19568-016

Wexman, V. (2020). FILM AND CULTURE: A series of Columbia University Press. In Hollywood's Artists: The Directors Guild of America and the Construction of Authorship (pp. 299-303). New York Chichester, West Sussex: Columbia University Press. https://doi.org/10.7312/wexm19568-016

Wexman, V. 2020. FILM AND CULTURE: A series of Columbia University Press. Hollywood's Artists: The Directors Guild of America and the Construction of Authorship. New York Chichester, West Sussex: Columbia University Press, pp. 299-303. https://doi.org/10.7312/wexm19568-016

Wexman, Virginia Wright. "FILM AND CULTURE: A series of Columbia University Press" In Hollywood's Artists: The Directors Guild of America and the Construction of Authorship, 299-303. New York Chichester, West Sussex: Columbia University Press, 2020. https://doi.org/10.7312/wexm19568-016

Wexman V. FILM AND CULTURE: A series of Columbia University Press. In: Hollywood's Artists: The Directors Guild of America and the Construction of Authorship. New York Chichester, West Sussex: Columbia University Press; 2020. p.299-303. https://doi.org/10.7312/wexm19568-016

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Frontmatter i
Contents v
Acknowledgments vii
Introduction 1
CHAPTER ONE. Directors as Artists: The DGA Rides the Wave 10
CHAPTER TWO. Charisma and Competition: The DGA Stakes Its Claim 38
CHAPTER THREE. Recognition: The DGA Takes Credit 65
CHAPTER FOUR. Politics: The DGA Stages HUAC 86
CHAPTER FIVE. Law: The DGA and Artists as Owners 106
Conclusion 118
Appendix A: Beyond Creative Rights 121
Appendix B: Chronology of the Directors Guild of America 131
Appendix C: Officers of the Directors Guild of America 153
Appendix D: Chronology of the Artists Rights Foundation 155
Notes 163
Bibliography 239
Index 277
FILM AND CULTURE 299

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https://doi.org/10.7312/wexm19568-016

Kapitel in diesem Buch

Frontmatter i
Contents v
Acknowledgments vii
Introduction 1
CHAPTER ONE. Directors as Artists: The DGA Rides the Wave 10
CHAPTER TWO. Charisma and Competition: The DGA Stakes Its Claim 38
CHAPTER THREE. Recognition: The DGA Takes Credit 65
CHAPTER FOUR. Politics: The DGA Stages HUAC 86
CHAPTER FIVE. Law: The DGA and Artists as Owners 106
Conclusion 118
Appendix A: Beyond Creative Rights 121
Appendix B: Chronology of the Directors Guild of America 131
Appendix C: Officers of the Directors Guild of America 153
Appendix D: Chronology of the Artists Rights Foundation 155
Notes 163
Bibliography 239
Index 277
FILM AND CULTURE 299

FILM AND CULTURE

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