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Chapter 7. Barbara Stanwyck’s Anklet
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Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- Preface and Acknowledgments ix
- Introduction: on Pulp Modernism 1
-
Part 1. Black Rooms and Rage
- Chapter 1. Already Framed: Esther Bubley Invents Noir 25
- Chapter 2. Domestic Labor: Film Noir, Proletarian Literature, and Black Women’S Fiction 60
- Chapter 3. Double Cross: Wri(Gh)Ting as the Outsider 82
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Part 2. White Work And Memory
- Chapter 4. Blanc Noir: Rural Pulp And Documentary Modernism 105
- Chapter 5. Melodrama/Male Drama: The Sentimental Contract of American Labor Films 121
- Chapter 6. Not “Just the Facts, Ma’Am”: Social Workers as Private Eyes 142
-
Part 3. Noir Household Objects
- Chapter 7. Barbara Stanwyck’s Anklet 171
- Chapter 8. Medium Uncool: Avant-Garde Film and Uncanny Feminism 193
- Chapter 9. Mapping Noir 225
- Notes 245
- Index 295
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS vii
- Preface and Acknowledgments ix
- Introduction: on Pulp Modernism 1
-
Part 1. Black Rooms and Rage
- Chapter 1. Already Framed: Esther Bubley Invents Noir 25
- Chapter 2. Domestic Labor: Film Noir, Proletarian Literature, and Black Women’S Fiction 60
- Chapter 3. Double Cross: Wri(Gh)Ting as the Outsider 82
-
Part 2. White Work And Memory
- Chapter 4. Blanc Noir: Rural Pulp And Documentary Modernism 105
- Chapter 5. Melodrama/Male Drama: The Sentimental Contract of American Labor Films 121
- Chapter 6. Not “Just the Facts, Ma’Am”: Social Workers as Private Eyes 142
-
Part 3. Noir Household Objects
- Chapter 7. Barbara Stanwyck’s Anklet 171
- Chapter 8. Medium Uncool: Avant-Garde Film and Uncanny Feminism 193
- Chapter 9. Mapping Noir 225
- Notes 245
- Index 295