Film Index

Dana Polan

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Film Index

Dana Polan

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Ein Kapitel aus dem Buch Power and Paranoia

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Polan, Dana. "Film Index". Power and Paranoia: History, Narrative, and the American Cinema, 1940–1950, New York Chichester, West Sussex: Columbia University Press, 1986, pp. 333-338. https://doi.org/10.7312/pola92384-012

Polan, D. (1986). Film Index. In Power and Paranoia: History, Narrative, and the American Cinema, 1940–1950 (pp. 333-338). New York Chichester, West Sussex: Columbia University Press. https://doi.org/10.7312/pola92384-012

Polan, D. 1986. Film Index. Power and Paranoia: History, Narrative, and the American Cinema, 1940–1950. New York Chichester, West Sussex: Columbia University Press, pp. 333-338. https://doi.org/10.7312/pola92384-012

Polan, Dana. "Film Index" In Power and Paranoia: History, Narrative, and the American Cinema, 1940–1950, 333-338. New York Chichester, West Sussex: Columbia University Press, 1986. https://doi.org/10.7312/pola92384-012

Polan D. Film Index. In: Power and Paranoia: History, Narrative, and the American Cinema, 1940–1950. New York Chichester, West Sussex: Columbia University Press; 1986. p.333-338. https://doi.org/10.7312/pola92384-012

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Kapitel in diesem Buch

Frontmatter I
Contents VII
Acknowledgments IX
A Note on the Films XIII
Introduction 1
1. Writing the Space of the Forties 21
2. Wartime Unity: The Representation of Institutions and the Institutions of Representation 45
3. Narrative limits: The Fiction of War and the War of Fictions 101
4. Knowledge and Human Interests: Science, Cinema, and the Secularization of Horror 159
5. Blind Insights and Dark Passages: The Problem of Placement 193
6. Beyond Narrative: The Space and Spectacle of the Forties 251
Notes 309
Name and Subject Index 327
Film Index 333

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https://doi.org/10.7312/pola92384-012

Kapitel in diesem Buch

Frontmatter I
Contents VII
Acknowledgments IX
A Note on the Films XIII
Introduction 1
1. Writing the Space of the Forties 21
2. Wartime Unity: The Representation of Institutions and the Institutions of Representation 45
3. Narrative limits: The Fiction of War and the War of Fictions 101
4. Knowledge and Human Interests: Science, Cinema, and the Secularization of Horror 159
5. Blind Insights and Dark Passages: The Problem of Placement 193
6. Beyond Narrative: The Space and Spectacle of the Forties 251
Notes 309
Name and Subject Index 327
Film Index 333

Film Index

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