Introduction

Evan Ratliff

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Introduction

Evan Ratliff

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Ein Kapitel aus dem Buch The Best American Magazine Writing 2015

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Ratliff, Evan. "Introduction". The Best American Magazine Writing 2015: Columbia University Press, edited by Sid Holt, New York Chichester, West Sussex: Columbia University Press, 2015, pp. xi-xviii. https://doi.org/10.7312/asme16959-001

Ratliff, E. (2015). Introduction. In S. Holt (Ed.), The Best American Magazine Writing 2015: Columbia University Press (pp. xi-xviii). New York Chichester, West Sussex: Columbia University Press. https://doi.org/10.7312/asme16959-001

Ratliff, E. 2015. Introduction. In: Holt, S. ed. The Best American Magazine Writing 2015: Columbia University Press. New York Chichester, West Sussex: Columbia University Press, pp. xi-xviii. https://doi.org/10.7312/asme16959-001

Ratliff, Evan. "Introduction" In The Best American Magazine Writing 2015: Columbia University Press edited by Sid Holt, xi-xviii. New York Chichester, West Sussex: Columbia University Press, 2015. https://doi.org/10.7312/asme16959-001

Ratliff E. Introduction. In: Holt S (ed.) The Best American Magazine Writing 2015: Columbia University Press. New York Chichester, West Sussex: Columbia University Press; 2015. p.xi-xviii. https://doi.org/10.7312/asme16959-001

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Frontmatter i
Contents v
Introduction xi
Acknowledgments xix
The Case for Reparations 1
Women Aren’t Welcome Here 51
The College Rape Overcorrection 75
When Michael Dunn Compared Himself to a Rape Victim, He Was Following an Old, Racist Script and I Don’t Care If You Like It and The Slenderman Stabbing Shows Girls Will Be Girls, Too 113
Shame and Survival 133
Inside the Iron Closet 151
Love and Ruin 175
The Ballad of Geeshie and Elvie 227
The Truth About Chicago’s Crime Rates 267
The Sea of Crises 313
Zombies on the Walls: Why Does So Much New Abstraction Look the Same? and Taking in Jeff Koons, Creator and Destroyer of Worlds and Post- Macho God: Matisse’s Cut-Outs Are World- Historically Gorgeous 345
Follow Me 363
Jackie’s Goodbye 379
This Old Man 411
The Emerald Light in the Air 427
Permissions 447
Contributors 451

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https://doi.org/10.7312/asme16959-001

Kapitel in diesem Buch

Frontmatter i
Contents v
Introduction xi
Acknowledgments xix
The Case for Reparations 1
Women Aren’t Welcome Here 51
The College Rape Overcorrection 75
When Michael Dunn Compared Himself to a Rape Victim, He Was Following an Old, Racist Script and I Don’t Care If You Like It and The Slenderman Stabbing Shows Girls Will Be Girls, Too 113
Shame and Survival 133
Inside the Iron Closet 151
Love and Ruin 175
The Ballad of Geeshie and Elvie 227
The Truth About Chicago’s Crime Rates 267
The Sea of Crises 313
Zombies on the Walls: Why Does So Much New Abstraction Look the Same? and Taking in Jeff Koons, Creator and Destroyer of Worlds and Post- Macho God: Matisse’s Cut-Outs Are World- Historically Gorgeous 345
Follow Me 363
Jackie’s Goodbye 379
This Old Man 411
The Emerald Light in the Air 427
Permissions 447
Contributors 451

Introduction

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