Lecture III. THE CONCEPTION OF LANDSCAPE ART IN CHINA. TAOISM AND ZEN

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Lecture III. THE CONCEPTION OF LANDSCAPE ART IN CHINA. TAOISM AND ZEN

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Ein Kapitel aus dem Buch The Spirit of Man in Asian Art

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APA
Harvard
Chicago
Vancouver

"Lecture III. THE CONCEPTION OF LANDSCAPE ART IN CHINA. TAOISM AND ZEN". The Spirit of Man in Asian Art: Please update the subtitle: Being the Charles Eliot Norton Lectures Delivered in Harvard University 1933-34, Cambridge, MA and London, England: Harvard University Press, 1935, pp. 69-104. https://doi.org/10.4159/harvard.9780674734463.c4

(1935). Lecture III. THE CONCEPTION OF LANDSCAPE ART IN CHINA. TAOISM AND ZEN. In The Spirit of Man in Asian Art: Please update the subtitle: Being the Charles Eliot Norton Lectures Delivered in Harvard University 1933-34 (pp. 69-104). Cambridge, MA and London, England: Harvard University Press. https://doi.org/10.4159/harvard.9780674734463.c4

1935. Lecture III. THE CONCEPTION OF LANDSCAPE ART IN CHINA. TAOISM AND ZEN. The Spirit of Man in Asian Art: Please update the subtitle: Being the Charles Eliot Norton Lectures Delivered in Harvard University 1933-34. Cambridge, MA and London, England: Harvard University Press, pp. 69-104. https://doi.org/10.4159/harvard.9780674734463.c4

"Lecture III. THE CONCEPTION OF LANDSCAPE ART IN CHINA. TAOISM AND ZEN" In The Spirit of Man in Asian Art: Please update the subtitle: Being the Charles Eliot Norton Lectures Delivered in Harvard University 1933-34, 69-104. Cambridge, MA and London, England: Harvard University Press, 1935. https://doi.org/10.4159/harvard.9780674734463.c4

Lecture III. THE CONCEPTION OF LANDSCAPE ART IN CHINA. TAOISM AND ZEN. In: The Spirit of Man in Asian Art: Please update the subtitle: Being the Charles Eliot Norton Lectures Delivered in Harvard University 1933-34. Cambridge, MA and London, England: Harvard University Press; 1935. p.69-104. https://doi.org/10.4159/harvard.9780674734463.c4

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Frontmatter i
Preface vii
Contents ix
List of Illustrations xi
Lecture I. INTRODUCTION. TRADITIONS OF ART IN EUROPE AND IN ASIA. CONTRASTED CONCEPTIONS. THE CHARACTER OF THE EARLY ART OF CHINA 3
Lecture II. EARLY INDIAN ART. THE IMPACT OF BUDDHISM ON CHINESE ART AND THOUGHT 37
Lecture III. THE CONCEPTION OF LANDSCAPE ART IN CHINA. TAOISM AND ZEN 69
Lecture IV. ART IN PERSIA. CONTACTS WITH INDIA AND CHINA. THE GROWTH OF THE PERSIAN STYLE IN PAINTING 105
Lecture V. JAPANESE ART. ITS RELATION TO CHINESE ART. ITS SPECIAL CHARACTER AND DEVELOPMENT 143
Lecture VI. POPULAR ART. RAJPUT PAINTING IN INDIA AND UKIYO-YE IN JAPAN. CONCLUSION 183

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Kapitel in diesem Buch

Frontmatter i
Preface vii
Contents ix
List of Illustrations xi
Lecture I. INTRODUCTION. TRADITIONS OF ART IN EUROPE AND IN ASIA. CONTRASTED CONCEPTIONS. THE CHARACTER OF THE EARLY ART OF CHINA 3
Lecture II. EARLY INDIAN ART. THE IMPACT OF BUDDHISM ON CHINESE ART AND THOUGHT 37
Lecture III. THE CONCEPTION OF LANDSCAPE ART IN CHINA. TAOISM AND ZEN 69
Lecture IV. ART IN PERSIA. CONTACTS WITH INDIA AND CHINA. THE GROWTH OF THE PERSIAN STYLE IN PAINTING 105
Lecture V. JAPANESE ART. ITS RELATION TO CHINESE ART. ITS SPECIAL CHARACTER AND DEVELOPMENT 143
Lecture VI. POPULAR ART. RAJPUT PAINTING IN INDIA AND UKIYO-YE IN JAPAN. CONCLUSION 183

Lecture III. THE CONCEPTION OF LANDSCAPE ART IN CHINA. TAOISM AND ZEN

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