Chapter 1. Variations on a Venezuelan Quartet

David M. Guss

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Chapter 1. Variations on a Venezuelan Quartet

David M. Guss

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Ein Kapitel aus dem Buch The Festive State

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APA
Harvard
Chicago
Vancouver

Guss, David M.. "Chapter 1. Variations on a Venezuelan Quartet". The Festive State: Race, Ethnicity, and Nationalism as Cultural Performance, edited by David M. Guss, Berkeley: University of California Press, 2001, pp. 1-23. https://doi.org/10.1525/9780520924864-003

Guss, D. (2001). Chapter 1. Variations on a Venezuelan Quartet. In D. Guss (Ed.), The Festive State: Race, Ethnicity, and Nationalism as Cultural Performance (pp. 1-23). Berkeley: University of California Press. https://doi.org/10.1525/9780520924864-003

Guss, D. 2001. Chapter 1. Variations on a Venezuelan Quartet. In: Guss, D. ed. The Festive State: Race, Ethnicity, and Nationalism as Cultural Performance. Berkeley: University of California Press, pp. 1-23. https://doi.org/10.1525/9780520924864-003

Guss, David M.. "Chapter 1. Variations on a Venezuelan Quartet" In The Festive State: Race, Ethnicity, and Nationalism as Cultural Performance edited by David M. Guss, 1-23. Berkeley: University of California Press, 2001. https://doi.org/10.1525/9780520924864-003

Guss D. Chapter 1. Variations on a Venezuelan Quartet. In: Guss D (ed.) The Festive State: Race, Ethnicity, and Nationalism as Cultural Performance. Berkeley: University of California Press; 2001. p.1-23. https://doi.org/10.1525/9780520924864-003

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Kapitel in diesem Buch

Frontmatter i
Contents vii
Illustrations ix
Acknowledgments xi
Chapter 1. Variations on a Venezuelan Quartet 1
Chapter 2. The Selling of San Juan: The Performance of History in an Afro-Venezuelan Community 24
Chapter 3. "Indianness" and the Construction of Ethnicity in the Day of the Monkey 60
Chapter 4. "Full Speed Ahead with Venezuela": The Tobacco Industry, Nationalism, and the Business of Popular Culture 90
Chapter 5. From Village Square to Opera House: Tamunangue and the Theater of Domination 129
Notes 173
Bibliography 207
Index 231

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https://doi.org/10.1525/9780520924864-003

Kapitel in diesem Buch

Frontmatter i
Contents vii
Illustrations ix
Acknowledgments xi
Chapter 1. Variations on a Venezuelan Quartet 1
Chapter 2. The Selling of San Juan: The Performance of History in an Afro-Venezuelan Community 24
Chapter 3. "Indianness" and the Construction of Ethnicity in the Day of the Monkey 60
Chapter 4. "Full Speed Ahead with Venezuela": The Tobacco Industry, Nationalism, and the Business of Popular Culture 90
Chapter 5. From Village Square to Opera House: Tamunangue and the Theater of Domination 129
Notes 173
Bibliography 207
Index 231

Chapter 1. Variations on a Venezuelan Quartet

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