1. The Ideological Reinscription of Neorealist and Hollywood Conventions in Spanish Cinema of the 1950s: Falangist Neorealism in Surcos

Kapitel in diesem Buch

1. Frontmatter I
2. CONTENTS VII
3. Acknowledgments IX
4. Introduction: Beyond the Boundaries of a National Cinema 1
5. PART I. TRANSCULTURAL REINSCRIPTION
6. 1. The Ideological Reinscription of Neorealist and Hollywood Conventions in Spanish Cinema of the 1950s: Falangist Neorealism in Surcos 18
7. 2. The Subversive Reinscription of Melodrama in Muerte de un ciclista 54
8. 3. Breaking N e w Ground in Los golfos, El cochecito, and El espíritu de la colmena 87
9. PART II. THE REPRESENTATION OF VIOLENCE IN THE SPANISH OF.DIPAL NARRATIVE
10. 4. Sacrifice and Massacre: O n the Cultural Specificity of Violence 136
11. 5. The Spanish Oedipal Narrative and Its Subversion 197
12. PART III. EXILE A N D DIASPORA
13. 6. Exile and Ideological Reinscription: The Unique Case of Luis Buñuel 278
14. 7. The Economics of Exile: Borau On the Line of the National/International Interface 339
15. PART IV. MICRO- AND MACROREGIONALISM
16. 8. Micro- and Macroregionalism in Catalan Cinema, European Coproductions, and Global Television 388
17. Epilogue: El Sol Also Rises 441
18. Notes 449
19. Bibliography 507
20. Index 523