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Comedy/Cinema/Theory
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Herausgegeben von:
Andrew Horton
Sprache:
Englisch
Veröffentlicht/Copyright:
2023
Über dieses Buch
The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore this curious and fascinating subject. The result is a stimulating, informative book for anyone interested in film, humor, and the art of bringing the two together.
Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related comic forms: printed fiction, comic books, TV sitcoms, jokes and gags.
Some essays in the collection focus on general issues concerning comedy and cinema. In lively (and often humorous) prose, such scholars as Lucy Fischer, Noel Carroll, Peter Lehman, and Brian Henderson employ feminist, post-Freudian, neo-Marxist, and Bakhtinian methodologies. The remaining essays bring theoretical considerations to bear on specific works and comic filmmakers. Peter Brunette, William Paul, Scott Bukatman, Dana Polan, Charles Eidsvik, Ruth Perlmutter, Stephen Mamber, and Andrew Horton provide different perspectives for analyzing The Three Stooges, Chaplin, Jerry Lewis, Woody Allen, Dusan Makavejev, and Alfred Hitchcock's sole comedy, Mr. and Mrs. Smith, as well as the peculiar genre of cynical humor from Eastern Europe.
As editor Horton notes, an over-arching theory of film comedy does not emanate from these essays. Yet the diversity and originality of the contributions reflect vital and growing interest in the subject, and both students of film and general moviegoers will relish the results.
The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore th
Comedy remains a central human preoccupation, despite the vagaries in form that it has assumed over the centuries in different media. In his introduction, Horton surveys the history of the study of comedy, from Aristophanes to the present, and he also offers a perspective on other related comic forms: printed fiction, comic books, TV sitcoms, jokes and gags.
Some essays in the collection focus on general issues concerning comedy and cinema. In lively (and often humorous) prose, such scholars as Lucy Fischer, Noel Carroll, Peter Lehman, and Brian Henderson employ feminist, post-Freudian, neo-Marxist, and Bakhtinian methodologies. The remaining essays bring theoretical considerations to bear on specific works and comic filmmakers. Peter Brunette, William Paul, Scott Bukatman, Dana Polan, Charles Eidsvik, Ruth Perlmutter, Stephen Mamber, and Andrew Horton provide different perspectives for analyzing The Three Stooges, Chaplin, Jerry Lewis, Woody Allen, Dusan Makavejev, and Alfred Hitchcock's sole comedy, Mr. and Mrs. Smith, as well as the peculiar genre of cynical humor from Eastern Europe.
As editor Horton notes, an over-arching theory of film comedy does not emanate from these essays. Yet the diversity and originality of the contributions reflect vital and growing interest in the subject, and both students of film and general moviegoers will relish the results.
The nature of comedy has interested many thinkers, from Plato to Freud, but film comedy has not received much theoretical attention in recent years. The essays in Comedy/Cinema/Theory use a range of critical and theoretical approaches to explore th
Information zu Autoren / Herausgebern
Horton Andrew :
Andrew S. Horton is Professor of English at Loyola University, New Orleans. He is the author of George Roy Hill and the forthcoming Soviet Cinema under Glasnost.
Fachgebiete
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I |
Öffentlich zugänglich PDF downloaden |
V |
Öffentlich zugänglich PDF downloaden |
VII |
Andrew Horton Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
1 |
Problematics of Film Comedy
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Noël Carroll Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
25 |
Peter Lehman Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
43 |
Lucy Fischer Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
60 |
Stephen Mamber Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
79 |
Charles Eidsvik Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
91 |
Comic Occasions
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William Paul Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
109 |
Dana Polan Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
131 |
Brian Henderson Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
153 |
Peter Brunette Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
174 |
Scott Bukatman Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
188 |
Ruth Perlmutter Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
206 |
Andrew Horton Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
222 |
Erfordert eine Authentifizierung Nicht lizenziert Lizenziert |
241 |
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Informationen zur Veröffentlichung
Seiten und Bilder/Illustrationen im Buch
eBook veröffentlicht am:
1. September 2023
eBook ISBN:
9780520910256
Auflage:
Reprint 2019
Seiten und Bilder/Illustrationen im Buch
Inhalt:
256
eBook ISBN:
9780520910256
Schlagwörter für dieses Buch
film comedy; comedy; film and comedy; nature of comedy; humor; movie studies; film studies; film criticism; movie criticism; genre films; the three stooges; charlie chaplin; alfred hitchcock; woody allen; jerry lewis; preston sturges; frank tashlin; dusan makavejev; violence and comedy; cynical humor; sight gag; penis size jokes; matricide; radical meta cinema; mock realism; futility; comic occasions; screwball; cartoons; parody; film and television