Bibliography

Acosta-Hughes, B. / Stephens, S. (2002), “Rereading Callimachus’ Aetia Fragment 1”, in: CPh 97.3, 238–55.10.1086/449586Suche in Google Scholar

Acosta-Hughes, B. / Stephens, S. (2012), Callimachus in Context, Cambridge.10.1017/CBO9780511919992Suche in Google Scholar

Asper, M. (1997), Onomata allotria: zur Genese, Struktur und Funktion poetologischer Metaphern bei Kallimachos, Stuttgart.Suche in Google Scholar

Badiou, A. (2013a), Philosophy and the Event, Cambridge.Suche in Google Scholar

Badiou, A. (2013b), The Age of the Poets, London-New York.Suche in Google Scholar

Bakker, E. (2005), Pointing to the Past: From Formula to Performance in Homeric Poetics, Washington, DC-Cambridge, MA.Suche in Google Scholar

Beardsley, M. (1982), “Aesthetic Experience”, in: M. Wreen / D. Callen (eds.), The Aesthetic Point of View: Selected Essays, Ithaca-London, 285–297.Suche in Google Scholar

Bing, P. (1993), “Impersonation of Voice in Callimachus’ Hymn to Apollo”, in: TAPhA 123, 181–198.10.2307/284328Suche in Google Scholar

Budelmann, F. (2013), “Greek Festival Choruses In and Out of Context”, in: J. Billings / F. Budelmann / F. Macintosh (eds.), Choruses Ancient and Modern, Oxford, 81–98.10.1093/acprof:oso/9780199670574.003.0006Suche in Google Scholar

Butler, S. (2015), The Ancient Phonograph, New York.10.2307/j.ctv14gpj13Suche in Google Scholar

Calame, C. (2013), “The Dithyramb, a Dionysiac Poetic Form: Genre Rules and Cultic Contexts”, in: B. Kowalzig / P. Wilson (eds.), Dithyramb in Context, Oxford, 332–352.Suche in Google Scholar

Cameron, A. (1995), Callimachus and His Critics, Princeton.10.1515/9781400887422Suche in Google Scholar

Ceccarelli, P. (2013), “Cyclic Choroi and the Dithyramb in the Classical and Hellenistic period: a Problem of Definition”, in: B. Kowalzig / P. Wilson (eds.), Dithyramb in Context, Oxford, 153–170.Suche in Google Scholar

Chaouli, M. (2013), “Criticism and Style”, in: New Literary History 44, 323–344.10.1353/nlh.2013.0022Suche in Google Scholar

Culler, J. (2015), Theory of the Lyric, Cambridge, MA-London.10.4159/9780674425781Suche in Google Scholar

D’Alessio, G.B. (2004), “Past Future and Present Past: Temporal Deixis in Archaic Greek Lyric”, in: Arethusa 37, 267–294.10.1353/are.2004.0020Suche in Google Scholar

D’Angour, A. (1997), “How the Dithyramb Got Its Shape”, in: CQ 47.2, 331–351.10.1093/cq/47.2.331Suche in Google Scholar

D’Angour, A. (2007), “The Sound of Mousikē: Reflections on Aural Change in Ancient Greece”, in: R. Osborne (ed.), Debating the Athenian Cultural Revolution: Art, Literature, Philosophy, and Politics 430–380 BC, Cambridge, 288–300.Suche in Google Scholar

D’Angour, A. (2013), “Music and Movement in the Dithyramb”, in: B. Kowalzig / P. Wilson (eds.), Dithyramb in Context, Oxford, 198–209.Suche in Google Scholar

de Jonge, C. (2008), Between Rhetoric and Grammar: Dionysius of Halicarnassus on Language, Linguistics, and Literature, Leiden.10.1163/ej.9789004166776.i-456Suche in Google Scholar

Depew, M. (1993), “Mimesis and Aetiology in Callimachus’ Hymns”, in: M. Harder / R. Regtuit / G.C. Wakker (eds.), Callimachus, Groningen, 57–77.10.4324/9780203055922-6Suche in Google Scholar

Dolar, M. (2006), A Voice and Nothing More, Cambridge, MA-London.10.7551/mitpress/7137.001.0001Suche in Google Scholar

Feeney, D. (2005), “Interpreting Sacrifical Ritual in Roman Poetry”, in: A. Barchiesi / J. Rüpke / S. Stephens (eds.), Rituals in Ink: A Conference on Religion and Literary Production in Ancient Rome Held at Stanford University in February 2002, Stuttgart, 1–21.Suche in Google Scholar

Feeney, D. (2016), Beyond Greek: the Beginnings of Latin Literature, Cambridge, MA.10.4159/9780674496026Suche in Google Scholar

Felski, R. (2015), The Limits of Critique, Chicago.10.7208/chicago/9780226294179.001.0001Suche in Google Scholar

Fleischman, S. (1990), Tense and Narrativity: From Medieval Performance to Modern Fiction, Austin.10.7560/780903Suche in Google Scholar

Fränkel, H. (1973), Early Greek Poetry and Philosophy: A History of Greek Epic, Lyric, and Prose to the Middle of the Fifth Century, Oxford.Suche in Google Scholar

Freis, R. (1983), “The Catalogue of Pindaric Genres in Horace Ode 4.2”, in: ClA 2, 27–36.10.2307/25010780Suche in Google Scholar

Furley, W. / Bremer, J. (eds.) (2001), Greek Hymns: Selected Cult Songs from the Archaic to the Hellenistic Period, Tübingen.Suche in Google Scholar

Gurd, S. (2016), Dissonance: Auditory Aesthetics in Ancient Greece, Fordham.10.5422/fordham/9780823269655.001.0001Suche in Google Scholar

Halliwell, S. (2011), Between Ecstasy and Truth: Interpretations of Greek Poetics from Homer to Longinus, Oxford.10.1093/acprof:oso/9780199570560.001.0001Suche in Google Scholar

Harder, A. (ed.) (2012), Callimachus, Aetia: Introduction, Text, Translation and Commentary, Oxford.Suche in Google Scholar

Hardie, A. (2015), “A Dithyramb for Augustus: Horace, Odes 4.2”, in: CQ 65.1, 253–285.10.1017/S0009838814000597Suche in Google Scholar

Hedreen, G. (2013), “The Semantics of Processional Dithyramb: Pindar’s Second Dithyramb and Archaic Athenian Vase-Painting”, in: B. Kowalzig / P. Wilson (eds.), Dithyramb in Context, Oxford, 171–197.Suche in Google Scholar

Hunter, R. (2014), Hesiodic Voices, Cambridge.10.1017/CBO9781107110816Suche in Google Scholar

Hunter, R. (2013), “‘One Who is Fought over by All the Tribes”: The Dithyrambic Poet and the City of Athens”, in: B. Kowalzig / P. Wilson (eds.), Dithyramb in Context, Oxford, 368–386.Suche in Google Scholar

Ihde, D. (2003), “Auditory Imagination”, in: M. Bull / L. Back (eds.), The Auditory Culture Reader, Oxford, 61–66.10.1007/978-94-017-4447-8_10Suche in Google Scholar

Janko, R. (ed.) (2000), Philodemus, On Poems, Oxford.Suche in Google Scholar

Kim, L. (2014), “Archaizing and Classicism in the Literary Historical Thought of Dionysius of Halicarnassus”, in: J. Ker / C. Pieper (eds.), Valuing the Past in the Greco-Roman World, Leiden-Boston, 357–387.Suche in Google Scholar

Kowalzig, B. / Wilson, P. (2013), “The World of Dithyramb”, in: B. Kowalzig / P. Wilson (eds.), Dithyramb in Context, Oxford, 1–27.Suche in Google Scholar

Lavecchia, S. (ed.) (2000), Pindari dityramborum fragmenta, Roma.Suche in Google Scholar

Lavecchia, S. (2013), “Becoming like Dionysos: Dithyramb and Dionysian Initiation”, in: B. Kowalzig / P. Wilson (eds.), Dithyramb in Context, Oxford, 59–75.Suche in Google Scholar

Maslov, B. (2015), Pindar and the Emergence of Literature, Cambridge.10.1017/CBO9781316337707Suche in Google Scholar

Morgan, L. (2010), Musa Pedestris: Metre and Meaning in Roman Verse, Oxford.10.1093/acprof:oso/9780199554188.001.0001Suche in Google Scholar

Morrison, A. (2007), The Narrator in Archaic Greek and Hellenistic Poetry, Cambridge.10.1017/CBO9780511597343Suche in Google Scholar

Morrison, A. (2012), “Performance, re–performance, and Pindar’s audiences”, in: P. Agócs / C. Carey / R. Rawles (eds.), Reading the Victory Ode, Cambridge, 111–133.10.1017/CBO9781139017626.011Suche in Google Scholar

Neer, R. / Kurke, L. (2014), “Pindar Fr. 75 SM and the Politics of Athenian Space”, in: GRBS 54, 527–579.Suche in Google Scholar

Newman, J. (1985), “Pindar and Callimachus”, in: ICS 10, 169–189.Suche in Google Scholar

Nowell Smith, D. (2015), On Voice in Poetry: The Work of Animation, Basingstoke.10.1057/9781137308238Suche in Google Scholar

Payne, M. (2007), “Ideas in Lyric Communication: Pindar and Paul Celan”, in: Modern Philology 105.1, 5–20.10.1086/587193Suche in Google Scholar

Phillips, T. (2014), “Between Pindar and Sappho: Horace Od. 4.2.9–12”, in: Mnemosyne 67.3, 466–474.10.1163/1568525X-12341340Suche in Google Scholar

Phillips, T. (2016), Pindar’s Library: Performance Poetry and Material Texts, Oxford.10.1093/acprof:oso/9780198745730.001.0001Suche in Google Scholar

Porter, J. (2007), “Pindar, Lasos, and the Riddle of S”, in: CQ 57.1, 1–21.Suche in Google Scholar

Porter, J. (2009), “Rhetoric, Aesthetics, and the Voice”, in: E. Gunderson (ed.), The Cambridge Companion to Ancient Rhetoric, Cambridge, 92–108.10.1017/CCOL9780521860543.007Suche in Google Scholar

Porter, J. (2010), The Origins of Aesthetic Thought in Ancient Greece: Matter, Sensation, and Experience, Cambridge.Suche in Google Scholar

Porter, J. (2013), “Why Are There Nine Muses?”, in: S. Butler / E. Purves (eds.), Synaesthesia and the Ancient Senses, Durham, 9–26.Suche in Google Scholar

Porter, J. (2016), The Sublime in Antiquity, Cambridge.10.1017/CBO9781139775304Suche in Google Scholar

Prauscello, L. (2006), Singing Alexandria: Music Between Practice and Textual Transmission, Leiden-Boston.10.1163/9789047408970Suche in Google Scholar

Richardson, N. (1986), “Pindar and Later Literary Criticism”, in: PLLS 5, 383–401.Suche in Google Scholar

Rutherford, I. (ed.) (2001), Pindar’s Paeans. A Reading of the Fragments with a Survey of the Genre, Oxford.Suche in Google Scholar

Rutherford, I. (2013), “Dithyrambos, Thriambos, Triumphus: Dionysiac Discourse at Rome”, in: B. Kowalzig / P. Wilson (eds.), Dithyramb in Context, Oxford, 409–423.Suche in Google Scholar

Schwindt, J.P. (2009), “Thaumatographia, or ‘What is a Theme’”, in: P. Hardie (ed.), Paradox and the Marvellous in Augustan Literature and Culture, Oxford, 145–162.Suche in Google Scholar

Steiner, D. (2007), “Feathers Flying: Avian Poetics in Hesiod, Pindar, and Callimachus”, in: AJP 128, 177–208.10.1353/ajp.2007.0031Suche in Google Scholar

Steiner, D. (2015), “The Poetics of Sound: Callimachus’ Rereading of Pindar Fragment 70B S.-M.”, in: CPh 110, 99–123.10.1086/680660Suche in Google Scholar

Stephens, S. (ed.) (2015a), Callimachus, The Hymns, Oxford-New York.Suche in Google Scholar

Stephens, S. (2015b), “Callimachus and His Narrators”, in: A. Faulkner / O. Hodkinson (eds.), Hymnic Narrative and the Narratology of Greek Hymns, Leiden, 49–68.10.1163/9789004289512_005Suche in Google Scholar

Stewart, S. (2002), Poetry and the Fate of the Senses, Chicago.Suche in Google Scholar

Thomas, R. (ed.) (2011), Horace, Odes IV and Carmen Saeculare, Cambridge.Suche in Google Scholar

van der Weiden, M. (ed.) (1991), The Dithyrambs of Pindar, Amsterdam.Suche in Google Scholar

Williams, F. (ed.) (1978), Callimachus, Hymn to Apollo, Oxford.Suche in Google Scholar

Wilson, P. (2003), “The Politics of Dance: Dithyrambic Contest and Social Order in Ancient Greece”, in: D. Phillips / D. Pritchard (eds.), Sport and Festival in the Ancient Greek World, Swansea, 163–196.10.2307/j.ctv1n357mz.10Suche in Google Scholar