From trash to treasure: Learning about brain images through multimodality
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Morana Alač
Abstract
Cognitive Neuroscientists use functional magnetic resonance imaging (fMRI) technology to generate digital images of the human brain. An fMRI image, as a final product of the scientific work, does not document movements and sounds that were present when such an image was recorded. Yet, a focus on actual moments of scientific practice reveals that such forgotten elements of practice can play important roles in understanding and knowledge acquisition. The multimodal interaction among scientists and digital screens shows how movements of the experimental subject and the scanner noise are performed to make images meaningful. Moreover, it suggests that the phenomena whose detection is crucial for a scientific reading of the brain images, such as motion artifacts, become visible as a result of coordination of various semiotic modalities (i.e., images, talk, body movements, gesture, etc.).
Walter de Gruyter GmbH & Co. KG
Artikel in diesem Heft
- Introduction: Multimodal interaction
- Joint turn construction through language and the body: Notes on embodiment in coordinated participation in situated activities
- Gesture in the pursuit and display of recognition: A Caribbean case study
- Hands as molecules: Representational gestures used for developing theory in a scientific laboratory
- Collaborative imagining: The interactive use of gestures, talk, and graphic representation in architectural practice
- Calibrating photographic vision through multiple semiotic resources
- From trash to treasure: Learning about brain images through multimodality
- Seeing music performance: Visual influences on perception and experience
Artikel in diesem Heft
- Introduction: Multimodal interaction
- Joint turn construction through language and the body: Notes on embodiment in coordinated participation in situated activities
- Gesture in the pursuit and display of recognition: A Caribbean case study
- Hands as molecules: Representational gestures used for developing theory in a scientific laboratory
- Collaborative imagining: The interactive use of gestures, talk, and graphic representation in architectural practice
- Calibrating photographic vision through multiple semiotic resources
- From trash to treasure: Learning about brain images through multimodality
- Seeing music performance: Visual influences on perception and experience
