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»The liquidation of the particular«: On Anxiety, the Misuse of Trauma Theory, Bourgeois Coldness, the Absence of Self-reflection of Literary Theory, and »something uncomfortable and dangerous« in Connection with Stefan Zweig’s Schachnovelle
Veröffentlicht/Copyright:
22. November 2013
Published Online: 2013-11-22
Published in Print: 2013-11
© 2012 Walter de Gruyter GmbH & Co. KG, Berlin/Boston
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Artikel in diesem Heft
- Titelseiten
- Special Issue: Theories and Models of Literary Historiography
- The Fissured Identity of Literature: The Birth of National Literary History out of International Cultural Transfers
- Ziele der Literaturgeschichtsschreibung
- Against Totality: Reading for Intermedial Literary Constellations
- Articles
- Black Hellas? A Footnote to the Black Athena Debate
- Outer vs. Inner Reverberations: Verbal Auditory Imagery and Meaning-Making in Literary Narrative
- The Ontology and Literary Status of the Screenplay:The Case of »Scriptfic«
- Authorship, Authenticity and the Perceptual/Non-Perceptual Divide
- Controversy
- »The liquidation of the particular«: On Anxiety, the Misuse of Trauma Theory, Bourgeois Coldness, the Absence of Self-reflection of Literary Theory, and »something uncomfortable and dangerous« in Connection with Stefan Zweig’s Schachnovelle
Artikel in diesem Heft
- Titelseiten
- Special Issue: Theories and Models of Literary Historiography
- The Fissured Identity of Literature: The Birth of National Literary History out of International Cultural Transfers
- Ziele der Literaturgeschichtsschreibung
- Against Totality: Reading for Intermedial Literary Constellations
- Articles
- Black Hellas? A Footnote to the Black Athena Debate
- Outer vs. Inner Reverberations: Verbal Auditory Imagery and Meaning-Making in Literary Narrative
- The Ontology and Literary Status of the Screenplay:The Case of »Scriptfic«
- Authorship, Authenticity and the Perceptual/Non-Perceptual Divide
- Controversy
- »The liquidation of the particular«: On Anxiety, the Misuse of Trauma Theory, Bourgeois Coldness, the Absence of Self-reflection of Literary Theory, and »something uncomfortable and dangerous« in Connection with Stefan Zweig’s Schachnovelle