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Politics of Memory and Cinematography in Modern Russia: the October Revolution and the Civil War
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Egor M. Isaev
Veröffentlicht/Copyright:
22. Dezember 2018
Abstract
This article discusses the representation of the era of the October Revolution and the Civil War in contemporary Russian popular cinema. It describes the modern tools used by the state to create new images of the past and to reconstruct history in Russian popular culture. It also considers how Russian society has reacted to this official discourse.
Published Online: 2018-12-22
© 2018 Walter de Gruyter GmbH, Berlin/Boston
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Artikel in diesem Heft
- FALLEN MONUMENTS
- Fallen Monuments: An Introduction
- Apples to Oranges? The American Monumental Landscape
- Christopher Columbus and Juana Azurduy: Revising and Revisiting Historical Monuments in Argentina
- Cooking the Books: Contested Colonial Commemorations in Australia
- The Destruction of the Monument to Humanity: Historical Conflict and Monumentalization
- The Limits of Iconoclasm: Soviet War Memorials since the End of Socialism
- ORIGINAL ARTICLES
- In Podcasts We Trust? A Brief Survey of Canadian Historical Podcasts
- Signs of the Times – A Historical Radio Feature
- The Background, Development and Problems of Public History in China
- INA – An Augmented TV
- Anniversary celebrations of the October Revolution
- Politics of Memory and Cinematography in Modern Russia: the October Revolution and the Civil War
- Review of Russian Exhibits and Media Projects on the Centennial of the Russian Revolution
