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Prague's experimental stage: Laboratory of theatre and semiotics

  • Veronika Ambros

    Her research interests include semiotics of theatre and drama, literary theory, and Czech literature. Her recent publications include ‘Elusive places — imagined pasts. Czech women writers after 1945’ (2002); ‘Výměny symbolů aneb německé divadlo v Praze mezi válkami, národy a kulturami’ (2003); ‘Od struktury k fikčnímu světu’ (2004); and ‘The Great War as a monstrous carnival: Jaroslav Hašek's Švejk History of the Literary Cultures in East-Central Europe’ (2004).

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Veröffentlicht/Copyright: 10. März 2008
Semiotica
Aus der Zeitschrift Band 2008 Heft 168

Abstract

The theoretical works of the Prague School's structuralist thought, which became the basis of the contemporary semiotics of drama and performance, were often inspired by concurrent artistic experiments. This contribution features a few theoretical concepts such as aktualizace, semantic gesture, stage figure, and their connection with the contemporary stage practice, especially the work of the Liberated Theatre, which made ‘a specific contribution to the anti-illusionist theatre of the European avant-garde.’

About the author

Veronika Ambros

Her research interests include semiotics of theatre and drama, literary theory, and Czech literature. Her recent publications include ‘Elusive places — imagined pasts. Czech women writers after 1945’ (2002); ‘Výměny symbolů aneb německé divadlo v Praze mezi válkami, národy a kulturami’ (2003); ‘Od struktury k fikčnímu světu’ (2004); and ‘The Great War as a monstrous carnival: Jaroslav Hašek's Švejk History of the Literary Cultures in East-Central Europe’ (2004).

Published Online: 2008-03-10
Published in Print: 2008-01-01

© Walter de Gruyter

Heruntergeladen am 19.11.2025 von https://www.degruyterbrill.com/document/doi/10.1515/SEM.2008.003/pdf
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