Menander and the Citation of Tragedy

Kapitel in diesem Buch

1. Frontmatter I
2. Preface V
3. Contents VII
4. Abbreviations IX
5. List of Figures XI
6. Introduction XIII
7. Part I: Background, Origins, and the Lost Theatre: Cults, Contests, Institutions
8. Dionysian Rituals in Archaic Athens: The Contribution of Images 1
9. What Song the Kômos Sang 15
10. Creating a Context for the Athenian Invention of Drama 43
11. Archaeological Evidence for the Beginning of the Dionysia in Athens: The Tympanon Relief NAM 3131 57
12. Protean Satyrs and Silens: Early Greek Satyr Play-Performances and their Adoption in Athenian Dionysian Imagery 65
13. Dithyramb on Paros, Komoi in Athens: Insights from the Epigraphic Evidence for the Start of Choral Competitions at the Athenian Dionysia 101
14. Part II: Dionysian Performances: The Athenian Fifth Century
15. The Fourth Unknown: The Attic Dithyramb 137
16. Pindar and Tragedy: A Fresh Look at Dochmiac in Choral Lyric 149
17. Developments and Discontinuities in Tragedy Forms, 458–405 BCE 177
18. Ancient and Modern Linguistic Approaches to the History of Attic Comedy 195
19. Joy and Tears in Situ: The Perception of Theatre in Early Greek Sources 217
20. Part III: Reconstruction of the Past: Post-Classical Views of the Attic Theatre
21. On History and the History of Tragedy According to Aristotle 237
22. Phanodemus and the Invention of the Dionysian Chorus 257
23. Menander and the Citation of Tragedy 301
24. Daphnis or Lityerses? Pastoral and Satyrical Rusticities 319
25. Imagining the Origins of Drama: Greek Epigram and the Satyrs of Sikyon 335
26. Bibliography 355
27. List of Contributors 383
28. Index of Names 387
29. Index of Authors and Quoted Passages 395
30. Index of Inscriptions 421
31. Concordance to Vase Publications 423