Chapter 3 Continuing the Partisan Rupture by Other Means: From Black Wave Films to Late Modernist Monuments to Revolution (1960s–70s)

Kapitel in diesem Buch

1. Frontmatter I
2. Foreword V
3. Contents XI
4. Introduction: The “Primitive Accumulation” of Revisionist Memory: A Plea for the Partisan Counter-Archive 1
5. Chapter 1 The Three Impossibilities of the Partisan Counter-Archive: Politics, Art and the ‘Anti-memory’ of Rupture 27
6. Chapter 2 Early Partisan Photography, Film and Poetry (1941–1945): An Oath to Past and Future Struggles 69
7. Chapter 3 Continuing the Partisan Rupture by Other Means: From Black Wave Films to Late Modernist Monuments to Revolution (1960s–70s) 171
8. Chapter 4 Undoing the Partisan Counter-Archive? From Nationalist(ic) Reconciliation to the Rehabilitation of Fascism 211
9. Conclusion: Retrieving the Counter-Archive Beyond Yugoslavia 247
10. Afterword: Concrete utopia lasts forever – Branko Miljković’s Yugoslavia 259
11. List of Images 261
12. Bibliography 265
13. Index 291