CHAPTER 10 Hearing the Nazi Past in the German Democratic Republic Antifascist Fantasies, Acoustic Realities, and Haunted Memories in Georg Katzer’s Aide –Mémoire (1983)

Kapitel in diesem Buch

1. Frontmatter i
2. CONTENTS vii
3. FIGURES AND TABLES ix
4. ACKNOWLEDGMENTS xi
5. INTRODUCTION 1
6. PART I Spaces and Moments of Affect
7. CHAPTER 1 “The German in the Concert Hall” Concertgoing and National Belonging in the Early Twentieth Century 33
8. CHAPTER 2 “Music Made in Hamburg” How One City’s Music Scene Helped Make Rock and Roll the Lingua Franca of Youth 54
9. CHAPTER 3 “With Every Inconceivable Finesse, Excess, and Good Music” Sex, Affect, and Techno at Snax Club in Berlin 73
10. PART II The Local, the Regional, the National
11. CHAPTER 4 Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras 97
12. CHAPTER 5 Female Musicians and “Jewish” Music in the Jewish Kulturbund in Bavaria, 1934–38 123
13. CHAPTER 6 Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater 145
14. PART III Globalizing Musical Germanness
15. CHAPTER 7 Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan 169
16. CHAPTER 8 Hubert Parry, Germany, and the “North” 194
17. PART IV Fantasies, Reminiscences, Dreams, Nightmares
18. CHAPTER 9 Between Musicology and Mythology at the Stunde Null: Austria’s 950th “Birthday” and the 50th Anniversary of Bruckner’s Death 221
19. CHAPTER 10 Hearing the Nazi Past in the German Democratic Republic Antifascist Fantasies, Acoustic Realities, and Haunted Memories in Georg Katzer’s Aide –Mémoire (1983) 247
20. CHAPTER 11 Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika 272
21. INDEX 296