Kapitel
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Conclusions: Recurring Techniques and Aesthetics
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Hyun Joo Kim
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction 1
- 1 Approaching the Reproductive Arts 14
- 2 “Partitions de Piano” 37
- 3 Between “Text” and “Event”: Liszt’s Guillaume Tell Overture 57
- 4 Translating the Orchestra: Liszt’s Two-Piano Arrangements of His Symphonic Poems 78
- 5 Interpretive Fidelity to Gypsy Creativity: Liszt’s Representations of Hungarian Gypsy Cimbalom Playing 102
- Conclusions: Recurring Techniques and Aesthetics 145
- Appendix: Liszt’s Preface to His Piano Arrangements of Beethoven’s Fifth and Sixth Symphonies in the Breitkopf & Härtel Edition, 1840 159
- Notes 163
- Bibliography 203
- Index of Liszt’s Works by Genre 221
- Subject Index 225
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction 1
- 1 Approaching the Reproductive Arts 14
- 2 “Partitions de Piano” 37
- 3 Between “Text” and “Event”: Liszt’s Guillaume Tell Overture 57
- 4 Translating the Orchestra: Liszt’s Two-Piano Arrangements of His Symphonic Poems 78
- 5 Interpretive Fidelity to Gypsy Creativity: Liszt’s Representations of Hungarian Gypsy Cimbalom Playing 102
- Conclusions: Recurring Techniques and Aesthetics 145
- Appendix: Liszt’s Preface to His Piano Arrangements of Beethoven’s Fifth and Sixth Symphonies in the Breitkopf & Härtel Edition, 1840 159
- Notes 163
- Bibliography 203
- Index of Liszt’s Works by Genre 221
- Subject Index 225