Frontmatter

Kapitel in diesem Buch

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Introduction 1
5. Part One: A Theory of Musical Interpretation
6. 1 Analysis in the Musical Work 21
7. 2 Two Interpretive Roles 42
8. Part Two: Analytical Essays
9. 3 Schenkerian Analysis as Metaphor: Chopin, Nocturne in C Minor, Op. 48, No. 1 75
10. 4 An Analytical Dialogue: Beethoven, String Quartet in C Minor, Op. 18, No. 4, First Movement 96
11. 5 Musical Structure(s) as Subtext: Resisting Schumann’s “Ring” 167
12. Notes 219
13. Bibliography 247
14. Index 261