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Editor’s Note
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XinianHG Fu
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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Illustrations vii
- Preface xv
- Editor’s Note xvii
- Chronology of Chinese Dynasties xxi
- Maps of China xxiii
- Biography of Fu Xinian xxv
- One. Representations of Architecture on Vessels of the Warring States Period 1
- Two. Reconstruction of Northern Dynasties Buildings Based on Relief Sculpture and Murals in Cave-Temples at Maijishan 31
- Three. Early Buddhist Architecture in China 79
- Four. The Development of Timber-Frame Architecture during the Two Jins and the Northern and Southern Dynasties 97
- Five. Architectural Features of the Northern and Southern Dynasties and the Sui and Tang Periods in China as Reflected in Japanese Architecture of the Asuka and Nara Periods 140
- Six. Hanyuan Hall at Daminggong in Tang Chang’an 167
- Seven. The Module in Tang Architecture 209
- Eight. Imperial Architecture of Tang through Ming and Its Relation to Other Architecture 226
- Eight. The Problem of Pillar Displacement with Respect to the Characteristics of Song Construction 253
- Ten. Song Architecture in South China and Its Relation to Japanese Great Buddha–Style Architecture of the Kamakura Period 273
- Eleven. Northern Song Architecture in the Painting A Thousand Li of Rivers and Mountains 296
- Twelve. Typical Design Features of Ming Palaces and Altars in Beijing 315
- Glossary 349
- Index 375
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Illustrations vii
- Preface xv
- Editor’s Note xvii
- Chronology of Chinese Dynasties xxi
- Maps of China xxiii
- Biography of Fu Xinian xxv
- One. Representations of Architecture on Vessels of the Warring States Period 1
- Two. Reconstruction of Northern Dynasties Buildings Based on Relief Sculpture and Murals in Cave-Temples at Maijishan 31
- Three. Early Buddhist Architecture in China 79
- Four. The Development of Timber-Frame Architecture during the Two Jins and the Northern and Southern Dynasties 97
- Five. Architectural Features of the Northern and Southern Dynasties and the Sui and Tang Periods in China as Reflected in Japanese Architecture of the Asuka and Nara Periods 140
- Six. Hanyuan Hall at Daminggong in Tang Chang’an 167
- Seven. The Module in Tang Architecture 209
- Eight. Imperial Architecture of Tang through Ming and Its Relation to Other Architecture 226
- Eight. The Problem of Pillar Displacement with Respect to the Characteristics of Song Construction 253
- Ten. Song Architecture in South China and Its Relation to Japanese Great Buddha–Style Architecture of the Kamakura Period 273
- Eleven. Northern Song Architecture in the Painting A Thousand Li of Rivers and Mountains 296
- Twelve. Typical Design Features of Ming Palaces and Altars in Beijing 315
- Glossary 349
- Index 375