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CHAPTER 6. Diva Misora Hibari as Spectacle of Postwar Japan’s Modernity

  • Christine R. Yano
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Vamping the Stage
Ein Kapitel aus dem Buch Vamping the Stage
© University of Hawaii Press, Honolulu

© University of Hawaii Press, Honolulu

Kapitel in diesem Buch

  1. Frontmatter i
  2. CONTENTS v
  3. CHAPTER 1. Re-Vamping Asia: Women, Music, and Modernity in Comparative Perspective 1
  4. PART I. Triumph and Tragedies of the Colonized Voice: Colonial Modernity, Commodification, and Circulation of Women’s Voices
  5. CHAPTER 2. Acoustic Ladies: Mediating Audiovisual Modernity in Early German and Chinese Talkies 43
  6. CHAPTER 3. On Becoming Nora: Transforming the Voice and Place of the Sing-Song Girl through Zhou Xuan 65
  7. CHAPTER 4. Malay Women Singers of Colonial Malaya: Voicing Alternative Gender Identity and Modernity 83
  8. CHAPTER 5. The “Comfort Women” and the Voices of East Asian Modernity 107
  9. PART II. Modern Stars and Modern Lives: Nation, Memory, and the Politics of Gender
  10. CHAPTER 6. Diva Misora Hibari as Spectacle of Postwar Japan’s Modernity 127
  11. CHAPTER 7. Titiek Puspa: Gendered Modernity in 1960s and 1970s Indonesian Popular Music 144
  12. CHAPTER 8. The Remarkable Career of L. R. Eswari 174
  13. PART III. Silenced Voices and Forbidden Modernities: Censorship, Morality, and National Identity
  14. CHAPTER 9. Gendered and Censored Modernity: Two Female Singers and Their Music in South Korea 195
  15. CHAPTER 10. Princess Siti and the Particularities of Post-Islamist Pop 211
  16. CHAPTER 11. Googoosh’s Voice: An Iranian Icon in Silence and Song 234
  17. PART IV. Body Politics and Discourses of Femininity: Image, Sexuality, and the Body
  18. CHAPTER 12. Enacting Modernity through Voice, Body, and Gender: Filipina Singers from the Close of the Philippine-American War to the Onset of Martial Law (1913–1972) 261
  19. CHAPTER 13. Beyond Black and Gray: Portraits and Scenes of Javanese Singer Waldjinah in Indonesian Popular Print Media 281
  20. CHAPTER 14. Mainstreaming Dance Music and Articulating Femininity: South Korean Dance Divas in the 1980s 303
  21. CHAPTER 15. The Ideal Idol: Making Music with Hatsune Miku, the “First Sound of the Future” 320
  22. Contributors 349
  23. Index 355
Heruntergeladen am 7.11.2025 von https://www.degruyterbrill.com/document/doi/10.1515/9780824874193-006/html
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