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Prefatory Note
-
Victor Zuckerkandl
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Sie haben derzeit keinen Zugang zu diesem Inhalt.
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Forewor 1
-
TONE
- I. The Dynamic Quality of Tone 11
- II. The Pulse Theory 25
- III. The System of Tones 32
- IV. Associationism 41
- V. The Three Components of Sense Perception 53
-
MOTION
- Prefatory Note 74
- VII. The Paradox of Tonal Motion 75
- VIII. The True Motion of Tones 88
- IX. The Continuity of Tonal Motion 117
- X. The "Third Stage 142
-
TIME
- XI. Meter and Rhythm 151
- XII. The Musical Concept of Time 201
- XIII. Tone as the Image of Time 248
-
SPACE
- XIV. The "Nonspatial" Art 267
- XV. Is Space Audible? 271
- XVI. The Placeless, Flowing Space of Tones 282
- XVII. The Order of Auditory Space 293
- XVIII. Space as Place and Space as Force 336
- XIX. A Last Word on High and Low in Tones 349
- XX. Summary and Prospect 363
- List of Works Cited 379
- Index 387
Kapitel in diesem Buch
- Frontmatter i
- CONTENTS v
- Forewor 1
-
TONE
- I. The Dynamic Quality of Tone 11
- II. The Pulse Theory 25
- III. The System of Tones 32
- IV. Associationism 41
- V. The Three Components of Sense Perception 53
-
MOTION
- Prefatory Note 74
- VII. The Paradox of Tonal Motion 75
- VIII. The True Motion of Tones 88
- IX. The Continuity of Tonal Motion 117
- X. The "Third Stage 142
-
TIME
- XI. Meter and Rhythm 151
- XII. The Musical Concept of Time 201
- XIII. Tone as the Image of Time 248
-
SPACE
- XIV. The "Nonspatial" Art 267
- XV. Is Space Audible? 271
- XVI. The Placeless, Flowing Space of Tones 282
- XVII. The Order of Auditory Space 293
- XVIII. Space as Place and Space as Force 336
- XIX. A Last Word on High and Low in Tones 349
- XX. Summary and Prospect 363
- List of Works Cited 379
- Index 387