Kapitel
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Kristopher W. Kersey
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Kapitel in diesem Buch
- Frontmatter i
- Contents vi
- List of Illustrations viii
- Acknowledgments xii
- List of Abbreviations xv
- Introduction 1
- 1. Antinomies: Transiting Modernity in Japanese Art History 21
- 2. Interface: Between Visuality and Alterity 53
- 3. Stratigraphy: Facing the Eyeless Sutras 79
- 4. Anti-Aesthetics: Materiality and Visuality in The Significance of the Character “A” (Ajigi) 131
- 5. Viscera: Anatomy, Prosthesis, and the Physiology of Vision 163
- 6. Montage: The Anthology of the Thirty-Six Poets and the Modernity of Collage 195
- Conclusion 227
- Appendix A: Location and Provenance of the Eyeless Sutras 235
- Appendix B: Translations 236
- Appendix C: Anthology Page Counts 239
- Notes 240
- Bibliography 271
- Index 294
Kapitel in diesem Buch
- Frontmatter i
- Contents vi
- List of Illustrations viii
- Acknowledgments xii
- List of Abbreviations xv
- Introduction 1
- 1. Antinomies: Transiting Modernity in Japanese Art History 21
- 2. Interface: Between Visuality and Alterity 53
- 3. Stratigraphy: Facing the Eyeless Sutras 79
- 4. Anti-Aesthetics: Materiality and Visuality in The Significance of the Character “A” (Ajigi) 131
- 5. Viscera: Anatomy, Prosthesis, and the Physiology of Vision 163
- 6. Montage: The Anthology of the Thirty-Six Poets and the Modernity of Collage 195
- Conclusion 227
- Appendix A: Location and Provenance of the Eyeless Sutras 235
- Appendix B: Translations 236
- Appendix C: Anthology Page Counts 239
- Notes 240
- Bibliography 271
- Index 294