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Swedish Prosody
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Eva Gårding
Veröffentlicht/Copyright:
19. November 2009
Abstract
The paper summarizes project work on Swedish accents and intonation. One major goal was the development of a generative model for intonation. The input of the model is a text with markings for word and sentence prosody and dialect. The output is a realistic intonation contour. The model was first set up for statement intonation in isolated sentences from five prototype dialects. It was later applied to interrogative intonation, to transitional forms between the prototype dialects, to Greek and French intonation and to prosodic transfer in a foreign accent.
verified
Received: 1982-07-07
Published Online: 2009-11-19
Published in Print: 1982-07-01
© 1982 S. Karger AG, Basel
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Artikel in diesem Heft
- Special Section
- Contents, Vol. 39, No.4-5, 1982
- Preface
- Paper
- Interaction between Articulatory Movements and Vocal Pitch Control in Japanese Word Accent
- F₀ in the Production of Lenis and Fortis Plosives
- Algorithms and Devices for Pitch Determination of Speech Signals
- Significant Points: Pitch Period Detection as a Problem of Segmentation
- Declination: Construct or Intrinsic Feature of Speech Pitch ?
- Textual Aspects of Prosody in Swedish
- Swedish Prosody
- On the Variabilty in F₀ Patterning and the Function of F₀ Timing in Languages where Pitch Cues Stress
- What Makes Speakers Omit Pitch Accents ? An Experiment
Artikel in diesem Heft
- Special Section
- Contents, Vol. 39, No.4-5, 1982
- Preface
- Paper
- Interaction between Articulatory Movements and Vocal Pitch Control in Japanese Word Accent
- F₀ in the Production of Lenis and Fortis Plosives
- Algorithms and Devices for Pitch Determination of Speech Signals
- Significant Points: Pitch Period Detection as a Problem of Segmentation
- Declination: Construct or Intrinsic Feature of Speech Pitch ?
- Textual Aspects of Prosody in Swedish
- Swedish Prosody
- On the Variabilty in F₀ Patterning and the Function of F₀ Timing in Languages where Pitch Cues Stress
- What Makes Speakers Omit Pitch Accents ? An Experiment
