Charts new trends in gender studies through a compelling analysis of Igbo society.

Prior to European colonialism, Igboland, a region in Nigeria, was a nonpatriarchal, nongendered society governed by separate but interdependent political systems for men and women. In the last one hundred fifty years, the Igbo family has undergone vast structural changes in response to a barrage of cultural forces. Critically rereading social practices and oral and written histories of Igbo women and the society, Nkiru Uwechia Nzegwu demonstrates how colonial laws, edicts, and judicial institutions facilitated the creation of gender inequality in Igbo society. Nzegwu exposes the unlikely convergence of Western feminist and African male judges' assumptions about "traditional" African values where women are subordinate and oppressed. Instead she offers a conception of equality based on historical Igbo family structures and practices that challenges the epistemological and ontological bases of Western feminist inquiry.

Looks at Buddhist women's activism for social change from the time of Buddha to the present day.

This book on engaged Buddhism focuses on women working for social justice in a wide range of Buddhist traditions and societies. Contributors document attempts to actualize Buddhism's liberating ideals of personal growth and social transformation. Dealing with issues such as human rights, gender-based violence, prostitution, and the role of Buddhist nuns, the work illuminates the possibilities for positive change that are available to those with limited power and resources. Integrating social realities and theoretical perspectives, the work utilizes feminist interpretations of Buddhist values and looks at culturally appropriate means of instigating change.

The Flight to Objectivity offers a new reading of Descartes' Meditations informed by cultural history, psychoanalytic and cognitive psychology, and feminist thought. It focuses not on Descartes' arguments as "timeless," culturally disembodied events, but on the psychological drama and imagery of the Meditations explored in the context of the historical instability of the seventeenth century and deep historical changes in the structure of human experience.

The study includes textual and cultural material that together comprise a gradually unfolding psychocultural reading of the Meditations. Descartes' famous doubt, and the ideal of objectivity which conquered that doubt, are considered as philosophical expressions of a cultural "drama of parturition" from the medieval universe, a process that generated new forms of experience, new cultural anxieties, and ultimately, new strategies for control and mastery of an utterly changed and alien world. Themes that figure prominently in recent literature on seventeenth-century philosophy and science-the birth of the mind as "mirror of nature," and the "masculine" nature of modern science, the "death of nature"-are explored with reference to Descartes as a pivotal figure in the birth of modernity.