Heritage and Memory Studies

This book takes as its object of investigation an array of traumatic heritage sites and spaces of memory, including museums, former detention camps, and sites of commemoration, in Europe, Argentina, and Colombia, to investigate how various traumatic pasts can be preserved and transmitted through space, and which kind of actions might be taken both to improve knowledge of the past and to serve as an opening to a discussion of current social issues.

This volume reflects on the significance of nostalgia in the construction of traumatic pasts, both on an individual and a collective level. By employing an interdisciplinary approach, the volume enhances our understanding of how the entanglements of trauma and nostalgia influence the construction and development of identity. Scholars from a range of academic disciplines and contexts explore the integration of nostalgic memories in discussions of trauma, attending to their interactions in public spaces, patriotic symbolism and rituals, popular culture, cinema, religion, museums, and memorials. The contributors emphasize the role of media and other mass-cultural technologies in disseminating images and narratives related to traumatic and nostalgic experiences. These essays ultimately bring to light the frequently overlooked role of nostalgic longing in shaping the discursive, visual, and material aspects of collective trauma.

What can space tell us about our past? Which stories do memory sites narrate? Which memories do they transmit? And, more importantly, how can we read their meanings? Semiotics can provide us with a homogeneous, shareable and theoretically sound methodology to analyse space within a comparable and common frame of reference for scholars of memory studies and traumatic heritage, as well as for historians, architects and museum curators. The book describes in clear and understandable language the main semiotic concepts that can be used to analyse space, illustrating them with carefully chosen case studies of memory spaces – monuments, museums, post-war urban restoration, filmed and virtual space – in order to show the applicability and efficacy of a semiotic methodology.

Vietnam: A War, Not a Country explores the conflicting ways in which the American-Vietnamese War has been collectively remembered and represented from the perspective of the war’s three primary belligerents: the Vietnamese communists, the South Vietnamese, and the Americans. The book examines how the three different collectives memorialize this traumatizing historical event. Within each of these three groups there exists a number of competing narratives, generating not only a sense of shared meaning and community, but also impassioned social conflict. In order to trace these narratives within each collectivity, the authors develop the concept of arenas of memory, distinct discourses that are tied to specific individuals, organizations, and institutions that advocate specific narratives through specific forms of media. Their analysis leads them to make the case as to whether each of these societies experienced a cultural trauma as a result of the way in which the war is remembered.

This book examines how community remembers one of the most gruesome acts of violence in the 20th century: the anti-communist violence in 1965 in Indonesia. Through a case study in a rural district in East Java, this research presents complexities of memory culture of violence. These memories are not exclusively determined by the state’s repressive memory project, but are actually embedded in intricate social relations and local context where the violence occurred. What people remember, forget, or silenced is part of the continuous negotiation to claim one’s right, to relate to the state, and to be Indonesian citizen. This book redefines the politics of memory – that it does not necessarily appear in formal arenas, but actually lies in the intricate web of local dynamics, often involving transactional and clientelistic practices.

When the mind turns more than one would wish towards questions of – as W.G. Sebald puts it – the “natural history of destruction”, comparative consideration by artists and interdisciplinary scholars is directed to the interstices between images, novel, essay, (auto)biography, memorial and travelogue. Artists have been among Sebald’s most prolific interpreters – as they are among the more fearless and holistic researchers on questions concerning what it means never to be able to fix an identity, to tell a migrant’s story, or to know where a historical trauma ends. Sebald has - as this book attests - also given artists and scholars a means to write with images, to embrace ambiguity, and to turn to today’s migrants with empathy and responsibility; as well as to let academic research, creation and institutional engagement blend into or substantially inform one another in order to account for and enable such necessary work in the most diverse contexts.

This book is about postcolonial memory in the Netherlands. This term refers to conflicts in contemporary society about how the colonial past should be remembered. The question is often: who has the right or ability to tell their stories and who do not? In other words: who has a voice, and who is silenced? As such, these conflicts represent a wider tendency in cultural theory and activism to use voice as a metaphor for empowerment and silence as voice’s negative counterpart, signifying powerlessness. And yet, there are voices that do not liberate us from, but rather subject us to power. Meanwhile, silence can be powerful: it can protect, disrupt and reconfigure. Throughout this book, it will become clear how voice and silence function not as each other’s opposites, but as each other’s continuation, and that postcolonial memory is articulated through the interplay of meaningful voices and meaningful silences.

This book investigates the study of memory activism and memory of activism, emerging after conflict, as a political civic action. It examines the appearance and growth of memory activism in Serbia amid the legacies of unwanted memories of the wars of the 1990s, approaching the post-Yugoslav region as a region of memory and tracing the alternative calendars and alternative commemorative practices of memory activists as they have evolved over a period of more than two decades. By presenting in-depth accounts of memory activism practices, on-site and online, Memory Activism and Digital Practices after Conflict: Unwanted Memories analyses this evolution in the context of generational belonging and introduces frameworks for the study of #hashtag #memoryactivism, alternative commemorations and commemorative solidarity.

A Metropolitan History of the Dutch Empire: Popular Imperialism in The Netherlands, 1850-1940 examines popular imperial culture in the Netherlands around the turn of the twentieth century. In various and sometimes unexpected places in civil society the empire played a prominent role and was key in mobilizing people for causes that were directly and indirectly related to the Dutch overseas colonies. At the same time, however, the empire was ostensibly absent from people's minds. Except for some jingoist outbursts during the Aceh War and the Boer War, indifference was the main attitude with which imperial affairs were greeted. How could the empire simultaneously be present and absent in metropolitan life? Drawing upon the works of scholars from fields ranging from postcolonial studies to Habsburg imperialism, the author argues that indifference to empire was not an anomaly to the idea of an all-permeating imperial culture, but rather the logical consequence of an imperial ideology that rendered metropole and colony firmly separated entities. The different groups and individuals that advocated imperial or anti-imperial causes – such as missionaries, former colonials, Indonesian students, and boy scouts – hardly ever related to each other explicitly and had their own distinctive modes of expression, but were nonetheless part of what the author calls a 'fragmented empire' and shared the common thread of Dutch imperial ideology. This suggests we should not mistake colonial culture's metropolitan invisibility for a lack of strength.

From a wider disciplinary perspective, modern conflict archaeology is now a thoroughly established and mature subdiscipline. However, a significant problem conflict archaeologists in the Netherlands face is that modern eras, including both world wars, have so far not received serious attention. Although both world wars appeal strongly to the popular imagination, until recently, Dutch researchers had not approached modern conflict from an academic archaeological perspective to any great extent. This is partly the result of problematic legislation on archaeological activity in the Netherlands. When applied and interpreted appropriately, archaeology can play an important role in the preservation, contemporary experience and historical reconstruction of recent conflicts. However, as Archaeological Approaches to and Heritage Perspectives on Modern Conflict: Beyond the Battlefields argues, research methods other than excavations will be needed to conduct conflict archaeology in the Netherlands effectively. This study aims to develop a Dutch approach to conflict archaeology, integrating archaeology, heritage research and history at a landscape scale.

This collection focuses on difficult memories and diverse identities related to conflicts and localized politics of memories. The contemporary and history-oriented case studies discuss politicized memories and pasts, the frictions of justice and reconciliation, and the diversity and fragmentation of difficult memories. Friction, Fragmentation, and Diversity: Localized Politics of European Memories brings together methodological discussions from oral history research, cultural memory studies and the study of contemporary protest movements. The politicization of memories is analyzed in various contexts, ranging from everyday interaction and diverse cultural representations to politics of the archive and politics as legal processes. The politicization of memories takes place on multiple analytical levels: those inherent to the sources; the ways in which the collections are utilized, archived, or presented; and in the re-evaluation of existing research.

Growing Up Communist in the Netherlands and Britain: Childhood, Political Activism, and Identity Formation documents communists’ attempts, successful and otherwise, to overcome their isolation and to connect with the major social and political movements of the twentieth century. Communist parties in Britain and the Netherlands emerged from the Second World War expecting to play a significant role in post-war society, due to their domestic anti-fascist activities and to the part played by the Soviet Union in defeating fascism. The Cold War shattered these hopes, and isolated communist parties and their members. By analysing the accounts of communist children, Weesjes highlights their struggle to establish communities and define their identities within the specific cultural, social, and political frameworks of their countries.

Collective Memory and the Dutch East Indies: Unremembering Decolonization examines the afterlife of decolonization in the collective memory of the Netherlands. It offers a new perspective on the cultural history of representing the decolonization of the Dutch East Indies, and maps out how a contested collective memory was shaped. Taking a transdisciplinary approach and applying several theoretical frames from literary studies, sociology, cultural anthropology and film theory, the author reveals how mediated memories contributed to a process of what he calls "unremembering." He analyses in detail a broad variety of sources, including novels, films, documentaries, radio interviews, memoirs and historical studies, to reveal how five decades of representing and remembering decolonization fed into an unremembering by which some key notions were silenced or ignored. The author concludes that historians, or the historical guild, bear much responsibility for the unremembering of decolonization in Dutch collective memory.

Departing from the present need for cultural models within the public debate, this volume offers a new contribution to the study of cultural icons. From the traditional religious icon to the modern mass media icon, from the recognizable visual icon to the complex entanglement of image and collective narratives: The Construction and Dynamics of Cultural Icons offers an overview of existing theories, compares different definitions and proposes a comprehensive view on the icon and the iconic. Focusing in particular on the making of iconic representations and their changing social-cultural meanings through time, scholars from cultural memory studies, art history and literary studies present concrete operationalizations of the ways different types of cultural icons can be studied.

The phenomenon of martyrdom is more than 2000 years old but, as contemporary events show, still very much alive. Martyrdom: Canonisation, Contestation and Afterlives examines the canonisation, contestation and afterlives of martyrdom and connects these with cross-cultural acts and practices of remembrance. Martyrdom appeals to the imagination of many because it is a highly ambiguous spectacle with thrilling deadly consequences. Imagination is thus a vital catalyst for martyrdom, for martyrs become martyrs only because others remember and honour them as such. This memorialisation occurs through rituals and documents that incorporate and re-interpret traditions deriving from canonical texts. The canonisation of martyrdom generally occurs in one of two ways: First, through ritual commemoration by communities of inside readers, listeners, viewers and participants, who create and recycle texts, re-interpreting them until the martyrs ultimately receive a canonical status, or second, through commemoration as a means of contestation by competing communities who perceive these same people as traitors or terrorists. By adopting an interdisciplinary orientation and a cross-cultural approach, this book goes beyond both the insider admiration of martyrs and the partisan rejection of martyrdoms and concisely synthesises key interpretive questions and themes that broach the canonised, unstable and contested representations of martyrdom as well as their analytical connections, divergences and afterlives in the present.

This book explores the protracted interest in Spain and its culture, and it exposes the co-existent ambiguity between scorn and fascination that characterizes Western historical perceptions, in particular in Britain and the Low Countries.

This book interrogates how people engage with their violent past, both within their families and as members of a national community, when living in an extremely complicated society with a short history of independence and a desire to belong to Europe.

Breaking new ground in the study of post-socialist memory culture, this book explains why former GDR cadres replicate GDR memory culture against their stigmatized status in unified Germany.

This book reexamines the politics of disability in interwar and socialist Czechoslovakia as embedded into nation building, recruited to legitimize diverse forms of structural violence against people with disabilities and ethnic minorities.

David Duindam examines how the Hollandsche Schouwburg, a former theatre in Amsterdam used for the registration and deportation of nearly 50,000 Jews, became a memorial museum, and how it will continue to be a meaningful site for future generations.

This book examines actual processes of experiencing the imagined community, exploring its emotive force in a number of case studies.

This book explores Ottoman-Turkish involvement and interest in the subject between 1870, when Heinrich Schliemann began his excavations in search of Troy on Ottoman soil, and the battle of Gallipoli in 1915, which gave the Turks their own version of the heroic epic of Troy.

This book offers a critical analysis of modelscapes, using case studies from Israel, to show how miniature representations of contested physical space participate in the construction of a sense of national identity and appropriation of the land and its history.

This book considers the growing awareness in the wake of World War I that culture could play an effective political role in international relations.

This book follows the perspectives of refugee activists to examine cities shaped by layered histories of war, colonialism, and partition. Challenging the crisis-driven, state-centric frameworks that dominate migration and border studies – where refugees are often cast as passive victims or threats – the book foregrounds their agency in reimagining urban heritage. Moving beyond the edge of the state to the heritage sites of the urban sphere, Remaking Urban Heritage explores refugee-led walking tours in Berlin, Jaffa, and Tel Aviv, tracing the entangled geographies of the Middle East, Africa, and Europe. Through a participatory ‘walk-along’ ethnography grounded in artistic practice, the book reconceptualizes heritage-making as a dynamic, contested, and transcultural process. By centring refugee storytelling, performance, and spatial knowledge, it offers a critical intervention into memory, urban, and migration studies – urging scholars and practitioners to rethink the politics of belonging amid ongoing displacement and to attend to the fluidity of urban heritage.

This incisive volume brings together postcolonial studies, visual culture and cultural memory studies to explain how the Netherlands continues to rediscover its history of violence in colonial Indonesia.