Reading Memory Sites Through Signs
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Edited by:
Cristina Demaria
and Patrizia Violi
About this book
Author / Editor information
Cristina Demaria is Professor of Semiotics at the Department of the Arts of the University of Bologna, where she teaches semiotics of conflict, gender studies and semiotics of social sciences. She has worked extensively on traumatic memories and their representation, on visual culture and documentary films, and on gender studies and post-feminism. Her latest publications include Post-Conflict Cultures. A Reader (2021), and Reading Memory Sites Through Signs: Hiding into Landscape (2023).Violi Patrizia :
Patrizia Violi is an Alma Mater Professor at the University of Bologna and the founder of ‘TraMe - Centre for the Semiotic Study of Memory’ at the same university. She was director of the ‘Centro Internazionale di Studi Umberto Eco’ and PI of various European funded projects on trauma and urban space. She has published internationally on the relationship between trauma and memory, with a specific focus on Chile, Argentina and Colombia. Her latest publications include Landscapes of Memory: Trauma, Space, History (2017), and Reading Memory Sites Through Signs: Hiding into Landscape (2023).
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Practices of Enunciation and Narratives from Monuments to Global Landscapes of Inheritance Cristina Demaria and Patrizia Violi Requires Authentication Unlicensed Licensed |
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Lieu and Milieu de Mémoire through the Lens of Narrativity Daniele Salerno Requires Authentication Unlicensed Licensed |
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How Practices Can Change the Meanings of Monuments Mario Panico Requires Authentication Unlicensed Licensed |
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The Case of Bigio of Brescia Anna Maria Lorusso Requires Authentication Unlicensed Licensed |
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Preservation of Contested Heritage as a Strategy of Re- Enunciation and ‘Voice Remodulation Francesco Mazzucchelli Requires Authentication Unlicensed Licensed |
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Isabella Pezzini Requires Authentication Unlicensed Licensed |
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Collective Enunciation in the Provincial Memory Archive of Córdoba, Argentina Paola Sozzi Requires Authentication Unlicensed Licensed |
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The Green Sea and the Mysterious Island Gianfranco Marrone Requires Authentication Unlicensed Licensed |
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Cinema as Counter-Monument in Jonathan Perel’s El Predio and Tabula Rasa Cristina Demaria Requires Authentication Unlicensed Licensed |
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The Case of AppRecuerdos in Santiago, Chile Patrizia Violi Requires Authentication Unlicensed Licensed |
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500,000 Dirhams in Scandinavia, from Mobile Silver to Land Rent Manar Hammad Requires Authentication Unlicensed Licensed |
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