Klavdia Smola explores how the Jewish tradition was reinvented in Russian Jewish literature after a long period of assimilation, the Holocaust and decades of Communism. The process of reinventing the tradition began in the counter-culture of Jewish dissidents, in the midst of the late-Soviet underground of the 1960-1970s, and it continues to the present day.

The studies gathered in the collection present the Russian-language Israeli literature that has been forming over the past hundred years in all the variety of genres and aesthetic movements. In every generation and in every aliyah, Russian-Israeli authors tirelessly search for new forms, born of the encounter with the new land.

Russia’s best Jewish writer in the nineteenth-century, Lev Levanda (1835-1888), is still barely known in the English-speaking world. Here for the first time is one of his major novels in his entirety, An Amateur Performance (Reminiscences of a Student in the 1850s, translated with elegance by Hugh McLean and edited by Brian Horowitz and Conor Daly. This work from 1882 describes the rush by Jews to the government schools, secular education, and the lights of enlightenment.

The "Voice of Silence" is the personal story of an underground Hebrew teacher in the communist Soviet Union who was sentenced to prison after false claims by the KGB. He kept a hunger strike for 207 days to draw international solidarity. But his book is more than exotic memoir literature. It is a vivid, touching and thoughtful account of his Jewish spiritual growth, a painful discovery of the most subtle inner aspects of faith.

Yiddish speaking immigrants formed the milieu of the hugely successful socialist daily Forverts (Forward). Its editorial columns and bylined articles reflected and shaped the attitudes and values of its readership. Profound admiration of Russian literature and culture did not mitigate the writers’ criticism of the czarist and Soviet regimes.

Brodsky's poetic career in the West was launched when Joseph Brodsky: Selected Poems was published in 1973. Its translator was George L. Kline, a Bryn Mawr professor and war hero. This is the story of that friendship and collaboration, from its beginnings in 1960s Leningrad and concluding with the Nobel poet's death.

Daughter of the Shtetl is an unusual memoir by an uneducated but sharply observant Jewish woman. Through the eyes of Doba-Mera, we experience the class divisions in shtetl and synagogue; pogroms and wars; working conditions in sewing shops; revolutionary circles around 1905; as well as aspects of everyday life such as education, courtship, housing, food, and illness.

This definitive and comprehensive anthology of major nineteenth- and twentieth-century fiction, nonfiction and poetry by eighty Jewish-Russian writers explores both timeless themes and specific tribulations of a people’s history.

This is the first book to recognize and address the problem of mass rape of Jewish women during the pogroms in Ukraine during the Civil War (1917-1921).

A comprehensive and exhaustive account of Andrei Sobol’s public, literary, and artistic activities as a purely Russian-Jewish phenomenon. Khazan analyzes his biographical subject within the framework of cultural studies.

This book explores the changing perception of time and space in avant-garde, modernist, and contemporary poetry. The author characterizes the works of modern Russian, French, and Anglo-American poets based on their attitudes towards reality, time, space, and history revealed in their poetics.

A searingly personal memoir of the great Russian poet by his American friend and publisher, containing much previously unknown material about how Brodsky left Russia and how he made his way in the new world, and how, during the cold war, Americans played a crucial role in his fate.

The book examines the Soviet Yiddish writer Der Nister's (Pinkhas Kahanovitsh, 1884–1950) vision of a post-Holocaust Jewish reconstruction, challenging the Jewish “homelessness” in the Diaspora.

Brian Horowitz, the well-known scholar of Russian Jewry, argues that Jews were not a people apart but were culturally integrated in Russian society. The book lets us grasp the meaning of secular Judaism and gives models from the past in order to stimulate ideas for the present.

This volume focuses on several Russian authors among many who immigrated to Israel with the “big wave” of 1990s or later, and whose largest part of the works was written in Israel: Dina Rubina, Nekod Singer, Elizaveta Mikhailichenko and Yury Nesis, and Mikhail Yudson.

The book describes the author’s eventful life, which spans over seventy years, in three different countries and on as many continents.

This book describes the history of Jews in Kiev from the tenth century to the February 1917 Revolution. At the turn of the twentieth century, the Kiev Jewish community was one of the largest and wealthiest in the Russian Empire. This book illuminates the major processes and events in Kievan Jewish history, including the creation of the Jewish community, the expulsions of Jews from the city, government persecution and Jewish pogroms, the Beilis Affair, the participation of Jews in the political, economic, and cultural life of Kiev, and their contribution to the development of the city.

This book brings together a lifetime of experiences told by a beloved member of the field of Slavic languages and literature - Irwin Weil. During the Soviet era, Irwin frequently visited and corresponded with outstanding Russian cultural figures, such as Vladimir Nabokov, Korney Chukovsky, and Dmitrii Shostakovich. His deep love of the Russian people and their culture has touched the lives of countless students, in particular at Northwestern University, where he has taught since 1966. It is these stories of an unassuming Jewish American from Cincinnati, Ohio who rubbed shoulders with some of the most prominent thinkers, writers, and musicians in the Soviet Union that are presented for the first time in this volume.

In the late nineteenth century, a group of radical Jewish youths from Odessa attempted to create an agricultural commune on the Oregon frontier, and in so doing developed from assimilated revolutionaries to American Jews. Theodore Friedgut relates the story of these youths and their creation, with special notice paid to the human encounters within the commune, the members’ encounters with America in acquiring land and equipment—and, importantly, their encounters with their neighbors, themselves immigrant farmers on the American frontier. Among the volume’s central sources is the memoir of Israel Mandelkern, which is here published for the first time. This study addresses hitherto neglected aspects of Jewish life in Russia and of the life of one of the more than a hundred Jewish agricultural colonies, and helps us understand the factors that influenced the young colony members in their transition toward becoming Americans. This is a microcosm of the experience of multitudes of immigrants.

This volume discusses the participation of Jews as soldiers, journalists, and propagandists in combating the Nazis during the Great Patriotic War, as the period between June 22, 1941, and May 9, 1945 was known in the Soviet Union. The essays included here examine both newly-discovered and previously-neglected oral testimony, poetry, cinema, diaries, memoirs, newspapers, and archives. This is one of the first books to combine the study of Russian and Yiddish materials, reflecting the nature of the Jewish Anti-Fascist Committee, which, for the first time during the Soviet period, included both Yiddish-language and Russian-language writers. This volume will be of use to scholars, teachers, students, and researchers working in Russian and Jewish history.

Isaak Babel' (1894-1940) is arguably one of the greatest modern short story writers of the early twentieth century. Yet his life and work are shrouded in the mystery of who Babel' was—an Odessa Jew who wrote in Russian, who came from one of the most vibrant centers of east European Jewish culture, and who all his life loved Yiddish and the stories of Sholom Aleichem This is the first book in English to study the intertextuality of Babel'’s work. It looks at Babel'’s cultural identity as a case study in the contradictions and tensions of literary influence, personal loyalties, and ideological constraint. The complex and often ambivalent relations between the two cultures inevitably raise controversial issues that touch on the reception of Babel' and other Jewish intellectuals in Russian literature, as well as the “Jewishness” of their work.

John Doyle Klier’s pioneering publications on the relations between Jews and the Russian social order—on topics such as public opinion, governance, conversion, Russification politics, antisemitism, and pogroms—have influenced an entire generation of new scholarship. Jews in the East European Borderlands, a collection of essays honoring Klier’s life and work, brings together some of the most innovative scholarship in the field. Focusing on the complex, often violent, entanglements between Jews and Russians, historians and literary scholars critically reassess the artifacts of high culture, including Yiddish and Russian prose and poetry, as well as dimensions of daily life, including letter-writing, diaries, the work of philanthropy, photojournalism, and the mass circulation press.

Boris Slutsky (1919-1986) is a major original figure of Russian poetry of the second half of the twentieth century, whose oeuvre has remained unexplored and unstudied. The first scholarly study of the poet, Marat Grinberg’s book substantially fills this critical lacuna in the current comprehension of Russian and Soviet literatures. Grinberg argues that Slutsky’s body of work amounts to a Holy Writ of his times, which daringly fuses biblical prooftexts and stylistics with the language of late Russian Modernism and Soviet newspeak. The book is directed toward readers of Russian poetry and pan-Jewish poetic traditions, scholars of Soviet culture and history and the burgeoning field of Russian Jewish studies. Finally, it contributes to the general field of poetics and Modernism.

Focusing primarily on the close study of literary works presented in the broad cultural and historical context, Jacob’s Ladder discusses the reflection of kabbalistic allegory in Russian literature and provides a detailed analysis of the evolution of the perception of Kabbalah in Russian consciousness. Aptekman investigates the questions of when, how and why Kabbalah has been used in Russian literary texts from Pre-Romanticism to Modernism and what particular role it played in the larger context of the Russian literary tradition. The correct understanding of this liaison helps the reader to clarify many enigmatic images in Russian literary works of the last two centuries and to understand the roots of a particular cultural falsification that played an important role in the anti-Semitic mythology of the twentieth century.

Exemplary Bodies: Constructing the Jew in Russian Culture since 1880s explores the construction of the Jew’s physical and ontological body in Russian culture as represented in literature, film, and non-literary texts from the 1880s to the present. With the rise of the dominance of biological and racialist discourse in the 1880s, the depiction of Jewish characters in Russian literary and cultural productions underwent a significant change, as these cultural practices recast the Jew not only as an archetypal “exotic” and religious or class Other (as in Romanticism and realist writing), but as a biological Other whose acts, deeds, and thoughts were determined by racial differences. This Jew allegedly had physical and psychological characteristics that were genetically determined and that could not be changed by education, acculturation, conversion to Christianity, or change of social status. This stereotype has become a stable archetype that continues to operate in contemporary Russian society and culture.