Although the aims of contrastive phonology are clear, there are a number of problems connected with the model of description and with the ontological status of phonological accounts of contrastive similarities or differences. This paper illustrates these problems with the oppositions between the series of /p, t, k/ and /b, d, g/ in the contrastive phonology of French versus German. On the basis of a number of perceptual experiments and results from articulation training, a new contrastive description of these sound phenomena is presented, which arrives at a phonological evaluation through a phonetic analysis of performance, rather than predicting performance from the usual phonological categories.
Contents
- Paper
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Requires Authentication UnlicensedContrastive Phonology and the Acquisition of Phonetic SkillsLicensedNovember 13, 2009
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Requires Authentication UnlicensedTongue Apex Activities During Alveolar StopsLicensedNovember 13, 2009
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Requires Authentication UnlicensedLaryngeal Adjustments in the Production of the Fricative Consonants and Devoiced Vowels in JapaneseLicensedNovember 13, 2009
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Requires Authentication UnlicensedDichotic and Monotic Masking of CV Syllables by CV Second Formants with Different Steady-State DurationsLicensedNovember 13, 2009
- Further Section
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Publicly AvailableLibriNovember 13, 2009
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Publicly AvailableAnnouncementNovember 13, 2009