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Volume 4, Issue 1
Contents
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Publicly AvailableFrontmatterMay 12, 2016
- Articles
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Publicly AvailableConference WelcomeMay 12, 2016
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Publicly AvailableIntroduction: Theatre and Spectatorship – Meditations on Participation, Agency and TrustMay 12, 2016
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Publicly AvailableTheatre in the “Forest of Things and Signs”May 12, 2016
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Publicly AvailableWatching, Attending, Sense-making: Spectatorship in Immersive TheatresMay 12, 2016
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Requires Authentication UnlicensedThe Events: Immanence and the AudienceLicensedMay 12, 2016
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Requires Authentication UnlicensedMaking Mistakes in Immersive Theatre: Spectatorship and Errant ImmersionLicensedMay 12, 2016
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Requires Authentication UnlicensedChallenging the Auditorium: Spectatorship(s) in ‘Off-site’ PerformancesLicensedMay 12, 2016
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Requires Authentication UnlicensedLetting the Truth Get in the Way of a ‘Good’ Story: Spectating Solo and Blast Theory’s Rider SpokeLicensedMay 12, 2016
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Requires Authentication UnlicensedOn the Border of Participation: Spectatorship and the ‘Interactive Rituals’ of Guillermo Gómez-Peña and La Pocha NostraLicensedMay 12, 2016
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Requires Authentication UnlicensedThe Erotic Voyeur: Sensorial Spectatorship in Punchdrunk’s The Drowned ManLicensedMay 12, 2016
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Requires Authentication UnlicensedWhat do Audiences Do? Negotiating the Possible Worlds of Participatory TheatreLicensedMay 12, 2016
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Requires Authentication UnlicensedIt’s All about You: Immersive Theatre and Social NetworkingLicensedMay 12, 2016
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Requires Authentication UnlicensedThe Art of SpectatorshipLicensedMay 12, 2016
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Requires Authentication UnlicensedSpectatorship and the New (Critical) Sincerity: The Case of Forced Entertainment’s Tomorrow’s PartiesLicensedMay 12, 2016
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Requires Authentication UnlicensedMetatheatre and Dramaturgies of Reception in Jackie Sibblies Drury’s We Are Proud to Present...LicensedMay 12, 2016
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Requires Authentication Unlicensed“Who Is the Performer and Who Is the Spectator?”LicensedMay 12, 2016
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Requires Authentication UnlicensedPerformance, Experience, Transformation: What do Spectators Value in Theatre?LicensedMay 12, 2016
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Requires Authentication UnlicensedCollaborating with AudiencesLicensedMay 12, 2016
