Issue
Licensed
Unlicensed
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Volume 2, Issue 1
Contents
- Frontmatter
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Publicly AvailableFrontmatterApril 16, 2014
- Articles
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Requires Authentication UnlicensedIntervention, Interaction, Insufficiency: Theatre’s Critical Repertoire?LicensedApril 16, 2014
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Requires Authentication UnlicensedFrom Theatre & Everyday Life to Theatre in the Expanded Field: Performance Between Community and ImmunityLicensedApril 16, 2014
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Requires Authentication UnlicensedBetween Homeland and Exile: Witnessing the Homo Sacer at the Heart of Hotel MedeaLicensedApril 16, 2014
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Requires Authentication UnlicensedGob Squad’s Act of Rebellion – Revolution Now!LicensedApril 16, 2014
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Requires Authentication UnlicensedRemixing Politics: The Case of Headphone-Verbatim Theatre in BritainLicensedApril 16, 2014
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Requires Authentication UnlicensedNavigating New Patterns of Power with an AudienceLicensedApril 16, 2014
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Requires Authentication Unlicensed“This blessed plot, this earth, this realm, this England”: Staging Treatments of Riots in Recent British TheatreLicensedApril 16, 2014
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Requires Authentication UnlicensedBola Agbaje’s Off the Endz. Authentic Voices, Representing the Council Estate: Politics, Authorship and the Ethics of RepresentationLicensedApril 16, 2014
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Requires Authentication UnlicensedStaging the unsayable: debbie tucker green’s political theatreLicensedApril 16, 2014
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Requires Authentication Unlicensed(Sub)Versions of the Them/Us Dichotomy in Iraq War DramaLicensedApril 16, 2014
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Requires Authentication UnlicensedGoing Straight: The Politics of Time and Space in David Eldridge’s Incomplete and Random Acts of KindnessLicensedApril 16, 2014
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Requires Authentication UnlicensedNew Plays of Ideas and an Aesthetics of Reflection and Debate in Contemporary British Political DramaLicensedApril 16, 2014
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Requires Authentication UnlicensedHoward Brenton and the Improbable Revival of the Brechtian History PlayLicensedApril 16, 2014
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Requires Authentication Unlicensed“Surreal and unbelievable and fantastical”LicensedApril 16, 2014
- Reviews
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Requires Authentication UnlicensedElżbieta Baraniecka. Sublime Drama: British Theatre of the 1990s. CDE Studies 23. Berlin: Walter de Gruyter, 2013, x + 270 pp., € 82.95.LicensedApril 16, 2014
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Requires Authentication UnlicensedJeanne Colleran. Theatre and War: Theatrical Responses since 1991. New York: Palgrave Macmillan, 2012, 241 pp., $ 90.00.LicensedApril 16, 2014
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Requires Authentication UnlicensedAstrid Haas. Stages of Agency: The Contributions of American Drama to the AIDS Discourse. Heidelberg: Universitätsverlag Winter, 2011, 334 pp., € 38.00.LicensedApril 16, 2014
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Requires Authentication UnlicensedBarbara Ozieblo and Noelia Hernando-Real (eds.). Performing Gender Violence: Plays by Contemporary American Women Dramatists. New York: Palgrave Macmillan, 2012, vi + 198 pp., $ 85.00.LicensedApril 16, 2014
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Requires Authentication UnlicensedPatrick Duggan. Trauma-Tragedy: Symptoms of Contemporary Performance. Manchester: Manchester UP, 2012, ix + 214 pp., $ 88.00.LicensedApril 16, 2014
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Requires Authentication UnlicensedPhilip C. Kolin (ed.). Contemporary African American Women Playwrights: A Casebook. London and New York: Routledge, 2012, x + 207 pp., £ 80.00 (hardback, 2007), £ 28.00 (paperback, 2012), £ 28.00 (ebook, 2007).LicensedApril 16, 2014
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Requires Authentication UnlicensedHelen H. Lojek. The Spaces of Irish Drama: Stage and Place in Contemporary Plays. Basingstoke and New York: Palgrave Macmillan, 2011, x + 181 pp., £ 55.00 (hardback).LicensedApril 16, 2014
