Amsterdam University Press
Practices and Narratives of Early Modern Piracy
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Edited by:
Susanne Gruss
and Marcus Hartner
About this book
Author / Editor information
Susanne Gruss is Professor of English Literature at the University of Bamberg. Her research and publications focus on contemporary British literature and culture as well as on early modern England. Within these broad areas, her specialisms include gender studies and feminist theory, neo-Victorianism, and (film) adaptation; as well as collaboration and/in theatre, piracy, and (early modern) law and literature.Hartner Marcus :
Marcus Hartner is Senior Lecturer in English Literature at Bielefeld University. His main areas of expertise include early modern English travel literature and (cognitive and historical) narratology, particularly the study of literary character. He is currently working on a monograph on early modern English captivity narratives and co-edits the Handbook of Interdisciplinarity (de Gruyter, with Nadine Böhm-Schnitker).
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Frontmatter
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Table of Contents
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List of Illustrations
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Acknowledgements
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Introduction: Practices and Narratives of Early Modern Piracy
11 - Part I Political and Economic Entanglements
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1. Pirate Marts and Knockdown Prices : Piracy, Class, and Economics in Early Modern England
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2. Piracy and Sovereignty in the Indian Ocean : The British East India Company’s Campaign against Atlantic and Angrian Maritime Predation, 1717–24
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3. Connecting Seas and Epochs : George Walker and Britain’s ‘Privateers of Force,’ 1744–48
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4. Surviving Scarcity : Reconceptualizing Tunisian Corsairing during the Late Eighteenth and Early Nineteenth Centuries
103 - Part II Pirate Mobility
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5. Interconnected Identities : Seventeenth-Century ‘Barbary’ Pirates, Christian Captives, and Geo-Cultural Mobility
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6. “Confinde to No Limits”: John Ward, a Renegade Life in Print
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7. “Wrestling with the Restless Sea” : Piracy, European Expansion, and the Further Beyond
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8. “Anchors Found on High Mountains” : Terraqueous Traffic and Pirate Mobility in Walter Ralegh
191 - Part III Literary Accounts
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9. Setting the Stage : Transnational Piracy and the Ambiguity of Pirate Identity in the Stukeley Plays
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10. Commerce, Conflict, and Intercultural Contact : Figurations of Polyvalence in Thomas Heywood’s The Fair Maid of the West, Part I
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11. From Captive to Privateer : William Rufus Chetwood’s The Voyages and Adventures of Captain Robert Boyle (1726)
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Index
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