Beyond the Timeline: Resetting Historiography
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About this book
Different from literary works (prose, drama etc.) with techniques like montage and contemporary media (film, documentaries, video games, internet) where time-lines are being questioned through flashbacks and flashwords, historiography seems to have resisted such challenges. Most historiographical works (biographies, scholarly studies) still adhere to chronological narratives, even though the boundaries between history and literary fiction have been blurred over the past decades.
Responding to 20th/21st c. attempts like Walter Benjamin’s prophetic historian, this volume asks: How to write history without following the chronologically oriented trajectory of time? The interdisciplinary contributions from a broad range of history (medieval, modern, music, sciences), sociology, life sciences, genocide research go back to a symposium that responded to a publication of Markus Vinzent (Writing the History of Early Christianity. From Reception to Retrospection of 2019, Cambridge University Press). The scholars engage with the idea of retrospection as a method of critical historiography.
Writing retrospectively is not simply a matter of presentism, reversing chronology, it disrupts continuities and teleologies and opens creative futures.
Author / Editor information
Julia Seeberger; Sabine Schmolinsky; Markus Vinzent, Universität Erfurt.
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Frontmatter
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Inhalt
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Gibt es Rezepte, wie wir Geschichtsschreibung auf den Kopf stellen können? Ein Gespräch
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Geschichtsschreibung jenseits des Zeitstrahls?
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Two Bricks of History Turned Upside Down – Facts and Evidence
21 - I: Modes of Narrating (Her/Hi)story
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Anomalien der Zeitlichkeit
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Reisen in die Geschichte. Eine Topologie
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Tell me, show me, play with me? Reflections on forms of narrating and reading history
79 - II: Turns in Medieval Historiography
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Chronomorphosen. Unhistorische Zeitverläufe in mittelalterlicher Historiographie (am Beispiel der ‚Kaiserchronik‘)
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Mehr Historiographiegeschichte – ein Plädoyer. Terminologie und Rezeption als Kernthemen einer anachronen Geschichtsschreibung
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Marguerite Poretes Tugendverständnis und ihre Verurteilung als libertinistische Ketzerin in retrospektiver Sicht
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Ein anderes Gesicht von Eckhart
175 - III: Spatio-Temporal Approaches
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Historiographien unmöglicher Zukünfte. Wie Simone Weil Geschichtsspüren erschreibt
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Genozid und antichronologisches Erzählen. Zum Konzept der „extremen Grundlosigkeit“ in autobiographischen Texten überlebender Tutsi und Juden
215 -
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Brazil Moving Backwards: Same Crisis, Different Scales
233 -
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Rhapsodic narrative in stories told with sounds (on the example of ballads and rhapsodies)
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About the Authors
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