The Bible in Motion
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Edited by:
Rhonda Burnette-Bletsch
About this book
This two-part volume contains a comprehensive collection of original studies by well-known scholars focusing on the Bible’s wide-ranging reception in world cinema. It is organized into sections examining the rich cinematic afterlives of selected characters from the Hebrew Bible and New Testament; considering issues of biblical reception across a wide array of film genres, ranging from noir to anime; featuring directors, from Lee Chang-dong to the Coen brothers, whose body of work reveals an enduring fascination with biblical texts and motifs; and offering topical essays on cinema’s treatment of selected biblical themes (e.g., lament, apocalyptic), particular interpretive lenses (e.g., feminist interpretation, queer theory), and windows into biblical reception in a variety of world cinemas (e.g., Indian, Israeli, and Third Cinema). This handbook is intended for scholars of the Bible, religion, and film as well as for a wider general audience.
Author / Editor information
Rhonda Burnette-Bletsch, Eastern University, St. Davids, PA, USA.
Reviews
"The volumes are an excellent point of departure and sure guide for all who want to enter and contribute to this fascinating field ofthe reception ofthe Bible."
Christoph Stenschke in: OTE 31/1 (2018), 280-287
"Resta-nos frisar a importância que esta publicação tem para o estudo da recepção da Bíblia na cultura contemporânea, mais especificamente no cinema, sendo que não temos dúvidas de que se constituirá como instrumento de trabalho essencial para quem de futuro desejar prosseguir estudos neste domínio."
Nuno Simões Rodrigues in: Cadmo. Revista de História Antiga 27 (2019), 282-283
Topics
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Frontmatter
I -
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Acknowledgements
V -
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Contents
VII -
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List of Illustrations
XI -
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List of Contributors
XIII -
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Abbreviations
XVII -
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General Introduction: The Bible
1 - I. Biblical Characters and Stories (Hebrew Bible)
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1. In the Beginning: Adam and Eve in Film
17 -
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2. Noah and the Flood: A Cinematic Deluge
35 -
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3. It’s All in the Family: The Patriarchs of Genesis in Film
51 -
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4. The Cinematic Moses
65 -
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5. Samson and Delilah in Film
83 -
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6. There Might Be Giants: King David on the Big (and Small) Screen
101 -
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7. Esther in Film
119 - II. Film Genres and Styles
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8. Scripture on Silent Film
139 -
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9. Film Noir and the Bible
161 -
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10. The Bible Epic
175 -
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11. Western Text(s): The Bible and the Movies of the Wild, Wild West
193 -
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12. Mysteries of the Bible (Documentary) Revealed: The Bible in Popular Non‐Fiction and Documentary Film
209 -
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13. From Skepticism to Piety: The Bible and Horror Films
223 -
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14. “Moses’ DVD Collection”: The Bible and Science Fiction Film
237 -
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15. The Word Made Gag: Biblical Reception in Film Comedy
253 -
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16. Drawing (on) the Text: Biblical Reception in Animated Films
267 -
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17. Anime and the Bible
285 - III. Biblical Themes and Genres
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18. God at the Movies
299 -
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19. Satan in Cinema
327 -
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20. Creation and Origins in Film
341 -
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21. The Book of Job in the Movies: On Cinema’s Exploration of Theodicy and the Hiddenness of God
355 -
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22. Lament in Film and Film as Lament
379 -
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23. What Lies Beyond? Biblical Images of Death and Afterlife in Film
391 -
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24. This Is the End: Apocalyptic Moments in Cinema
405 - IV. Biblical Characters and Stories (New Testament)
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25. Jesus and the Gospels at the Movies
419 -
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26. Women in the Cinematic Gospels
449 -
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27. Judas as Portrayed in Film
463 -
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28. Jews and Judaism in New Testament Films
483 -
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29. Paul and the Early Church in Film
497 -
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30. Mythic Relevance of Revelation in Film
517 - V. Cinemas and Auteurs
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31. David Wark Griffith: Filming the Bible as the U.S. Story
535 -
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32 Alice Guy Blaché and Gene Gauntier: Bringing New Perspectives to Film
543 -
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33. Oscar Micheaux’s Within Our Gates: Emergent History and a Gospel of Middle‐Class Liberation
557 -
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34. Cecil B. DeMille: Hollywood’s Lay Preacher
569 -
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35. Reframing Jesus: Dreyer’s Lifelong Passion
587 -
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36. Luis Buñuel: Atheist by the Grace of God
599 -
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37. Robert Bresson: Biblical Resonance from a Christian Atheist
609 -
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38. Roberto Rossellini: From Spiritual Searcher to History’s Documentarian
623 -
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39. Federico Fellini: From Catholicism to the Collective Unconscious
635 -
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40. John Huston: The Atheistic Noah
649 -
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41. Stanley Kubrick: Midrashic Movie Maker
663 -
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42. In the Wake of the Bible: Krzysztof Kieślowski and the Residual Divine in Contemporary Life
675 -
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43. Peter Weir: Man of Mystery, Mysticism, and the Mundane
691 -
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44. Cheick Oumar Sissoko: West African Activist and Storyteller
701 -
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45. Lee Chang-Dong: Exploring the Hidden Christ
713 -
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46. Mark Dornford-May: Transposing the Classic
721 -
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47. Serious Men: Scripture in the Coen Brothers Films
729 -
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48. Liberative Visions: Biblical Reception in Third Cinema
739 -
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49. The Reception of Biblical Films in India: Observations and a Case Study
751 -
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50. “A Ram Butts His Broad Horns Again and Again against the Wall of the House”: The Binding Myth in Israeli Film
763 - VI. Voices from the Margins
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51. Judaism and Antisemitism in Bible Movies
777 -
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52. Ethnicity and Biblical Reception in Eve and the Fire Horse
793 -
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53. A Slave Narrative for the “Post-Racial” Obama Age
807 -
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54. The Temptation of Noah: The Debate about Patriarchal Violence in Darren Aronofsky’s Noah
825 -
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55. Gay Male Villains in Biblical Epic Films
843 -
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56. Imperialism in New Testament Films
853 -
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Film Index
867 -
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Scripture Index
899 -
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Subject Index
909
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