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11. Western Text(s): The Bible and the Movies of the Wild, Wild West
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Chapters in this book
- Frontmatter I
- Acknowledgements V
- Contents VII
- List of Illustrations XI
- List of Contributors XIII
- Abbreviations XVII
- General Introduction: The Bible 1
-
I. Biblical Characters and Stories (Hebrew Bible)
- 1. In the Beginning: Adam and Eve in Film 17
- 2. Noah and the Flood: A Cinematic Deluge 35
- 3. It’s All in the Family: The Patriarchs of Genesis in Film 51
- 4. The Cinematic Moses 65
- 5. Samson and Delilah in Film 83
- 6. There Might Be Giants: King David on the Big (and Small) Screen 101
- 7. Esther in Film 119
-
II. Film Genres and Styles
- 8. Scripture on Silent Film 139
- 9. Film Noir and the Bible 161
- 10. The Bible Epic 175
- 11. Western Text(s): The Bible and the Movies of the Wild, Wild West 193
- 12. Mysteries of the Bible (Documentary) Revealed: The Bible in Popular Non‐Fiction and Documentary Film 209
- 13. From Skepticism to Piety: The Bible and Horror Films 223
- 14. “Moses’ DVD Collection”: The Bible and Science Fiction Film 237
- 15. The Word Made Gag: Biblical Reception in Film Comedy 253
- 16. Drawing (on) the Text: Biblical Reception in Animated Films 267
- 17. Anime and the Bible 285
-
III. Biblical Themes and Genres
- 18. God at the Movies 299
- 19. Satan in Cinema 327
- 20. Creation and Origins in Film 341
- 21. The Book of Job in the Movies: On Cinema’s Exploration of Theodicy and the Hiddenness of God 355
- 22. Lament in Film and Film as Lament 379
- 23. What Lies Beyond? Biblical Images of Death and Afterlife in Film 391
- 24. This Is the End: Apocalyptic Moments in Cinema 405
-
IV. Biblical Characters and Stories (New Testament)
- 25. Jesus and the Gospels at the Movies 419
- 26. Women in the Cinematic Gospels 449
- 27. Judas as Portrayed in Film 463
- 28. Jews and Judaism in New Testament Films 483
- 29. Paul and the Early Church in Film 497
- 30. Mythic Relevance of Revelation in Film 517
-
V. Cinemas and Auteurs
- 31. David Wark Griffith: Filming the Bible as the U.S. Story 535
- 32 Alice Guy Blaché and Gene Gauntier: Bringing New Perspectives to Film 543
- 33. Oscar Micheaux’s Within Our Gates: Emergent History and a Gospel of Middle‐Class Liberation 557
- 34. Cecil B. DeMille: Hollywood’s Lay Preacher 569
- 35. Reframing Jesus: Dreyer’s Lifelong Passion 587
- 36. Luis Buñuel: Atheist by the Grace of God 599
- 37. Robert Bresson: Biblical Resonance from a Christian Atheist 609
- 38. Roberto Rossellini: From Spiritual Searcher to History’s Documentarian 623
- 39. Federico Fellini: From Catholicism to the Collective Unconscious 635
- 40. John Huston: The Atheistic Noah 649
- 41. Stanley Kubrick: Midrashic Movie Maker 663
- 42. In the Wake of the Bible: Krzysztof Kieślowski and the Residual Divine in Contemporary Life 675
- 43. Peter Weir: Man of Mystery, Mysticism, and the Mundane 691
- 44. Cheick Oumar Sissoko: West African Activist and Storyteller 701
- 45. Lee Chang-Dong: Exploring the Hidden Christ 713
- 46. Mark Dornford-May: Transposing the Classic 721
- 47. Serious Men: Scripture in the Coen Brothers Films 729
- 48. Liberative Visions: Biblical Reception in Third Cinema 739
- 49. The Reception of Biblical Films in India: Observations and a Case Study 751
- 50. “A Ram Butts His Broad Horns Again and Again against the Wall of the House”: The Binding Myth in Israeli Film 763
-
VI. Voices from the Margins
- 51. Judaism and Antisemitism in Bible Movies 777
- 52. Ethnicity and Biblical Reception in Eve and the Fire Horse 793
- 53. A Slave Narrative for the “Post-Racial” Obama Age 807
- 54. The Temptation of Noah: The Debate about Patriarchal Violence in Darren Aronofsky’s Noah 825
- 55. Gay Male Villains in Biblical Epic Films 843
- 56. Imperialism in New Testament Films 853
- Film Index 867
- Scripture Index 899
- Subject Index 909
Chapters in this book
- Frontmatter I
- Acknowledgements V
- Contents VII
- List of Illustrations XI
- List of Contributors XIII
- Abbreviations XVII
- General Introduction: The Bible 1
-
I. Biblical Characters and Stories (Hebrew Bible)
- 1. In the Beginning: Adam and Eve in Film 17
- 2. Noah and the Flood: A Cinematic Deluge 35
- 3. It’s All in the Family: The Patriarchs of Genesis in Film 51
- 4. The Cinematic Moses 65
- 5. Samson and Delilah in Film 83
- 6. There Might Be Giants: King David on the Big (and Small) Screen 101
- 7. Esther in Film 119
-
II. Film Genres and Styles
- 8. Scripture on Silent Film 139
- 9. Film Noir and the Bible 161
- 10. The Bible Epic 175
- 11. Western Text(s): The Bible and the Movies of the Wild, Wild West 193
- 12. Mysteries of the Bible (Documentary) Revealed: The Bible in Popular Non‐Fiction and Documentary Film 209
- 13. From Skepticism to Piety: The Bible and Horror Films 223
- 14. “Moses’ DVD Collection”: The Bible and Science Fiction Film 237
- 15. The Word Made Gag: Biblical Reception in Film Comedy 253
- 16. Drawing (on) the Text: Biblical Reception in Animated Films 267
- 17. Anime and the Bible 285
-
III. Biblical Themes and Genres
- 18. God at the Movies 299
- 19. Satan in Cinema 327
- 20. Creation and Origins in Film 341
- 21. The Book of Job in the Movies: On Cinema’s Exploration of Theodicy and the Hiddenness of God 355
- 22. Lament in Film and Film as Lament 379
- 23. What Lies Beyond? Biblical Images of Death and Afterlife in Film 391
- 24. This Is the End: Apocalyptic Moments in Cinema 405
-
IV. Biblical Characters and Stories (New Testament)
- 25. Jesus and the Gospels at the Movies 419
- 26. Women in the Cinematic Gospels 449
- 27. Judas as Portrayed in Film 463
- 28. Jews and Judaism in New Testament Films 483
- 29. Paul and the Early Church in Film 497
- 30. Mythic Relevance of Revelation in Film 517
-
V. Cinemas and Auteurs
- 31. David Wark Griffith: Filming the Bible as the U.S. Story 535
- 32 Alice Guy Blaché and Gene Gauntier: Bringing New Perspectives to Film 543
- 33. Oscar Micheaux’s Within Our Gates: Emergent History and a Gospel of Middle‐Class Liberation 557
- 34. Cecil B. DeMille: Hollywood’s Lay Preacher 569
- 35. Reframing Jesus: Dreyer’s Lifelong Passion 587
- 36. Luis Buñuel: Atheist by the Grace of God 599
- 37. Robert Bresson: Biblical Resonance from a Christian Atheist 609
- 38. Roberto Rossellini: From Spiritual Searcher to History’s Documentarian 623
- 39. Federico Fellini: From Catholicism to the Collective Unconscious 635
- 40. John Huston: The Atheistic Noah 649
- 41. Stanley Kubrick: Midrashic Movie Maker 663
- 42. In the Wake of the Bible: Krzysztof Kieślowski and the Residual Divine in Contemporary Life 675
- 43. Peter Weir: Man of Mystery, Mysticism, and the Mundane 691
- 44. Cheick Oumar Sissoko: West African Activist and Storyteller 701
- 45. Lee Chang-Dong: Exploring the Hidden Christ 713
- 46. Mark Dornford-May: Transposing the Classic 721
- 47. Serious Men: Scripture in the Coen Brothers Films 729
- 48. Liberative Visions: Biblical Reception in Third Cinema 739
- 49. The Reception of Biblical Films in India: Observations and a Case Study 751
- 50. “A Ram Butts His Broad Horns Again and Again against the Wall of the House”: The Binding Myth in Israeli Film 763
-
VI. Voices from the Margins
- 51. Judaism and Antisemitism in Bible Movies 777
- 52. Ethnicity and Biblical Reception in Eve and the Fire Horse 793
- 53. A Slave Narrative for the “Post-Racial” Obama Age 807
- 54. The Temptation of Noah: The Debate about Patriarchal Violence in Darren Aronofsky’s Noah 825
- 55. Gay Male Villains in Biblical Epic Films 843
- 56. Imperialism in New Testament Films 853
- Film Index 867
- Scripture Index 899
- Subject Index 909