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Introduction
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- Introduction 1
- Chapter 1. “I Must Dissemble Now”: Performing Conversion in Anthony Tyrrell and in Nathaniel Woodes’s The Conflict of Conscience 21
- Chapter 2. “Wonderfully and Sencybly Chaunged”: Reading Conversion in William Alabaster, Augustine, and the Motives Genre 51
- Chapter 3. “All to All”: Elizabeth Cary, William Chillingworth, and the Pauline Theater of Conversion 78
- Chapter 4. “Unstable Bodies”: Ecumenism and the Science of Motion 106
- Chapter 5. “Contagion of the Imagination”: Alchemy and Conversion in Ben Jonson and Kenelm Digby 135
- Chapter 6. “I Will Performe It”: Dramatic Nostalgia and Spectacular Conversion in Thomas Dekker and Philip Massinger’s The Virgin Martyr 173
- Notes 193
- Bibliography 221
- Index 239
- Acknowledgments 249
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Introduction 1
- Chapter 1. “I Must Dissemble Now”: Performing Conversion in Anthony Tyrrell and in Nathaniel Woodes’s The Conflict of Conscience 21
- Chapter 2. “Wonderfully and Sencybly Chaunged”: Reading Conversion in William Alabaster, Augustine, and the Motives Genre 51
- Chapter 3. “All to All”: Elizabeth Cary, William Chillingworth, and the Pauline Theater of Conversion 78
- Chapter 4. “Unstable Bodies”: Ecumenism and the Science of Motion 106
- Chapter 5. “Contagion of the Imagination”: Alchemy and Conversion in Ben Jonson and Kenelm Digby 135
- Chapter 6. “I Will Performe It”: Dramatic Nostalgia and Spectacular Conversion in Thomas Dekker and Philip Massinger’s The Virgin Martyr 173
- Notes 193
- Bibliography 221
- Index 239
- Acknowledgments 249