1. Introduction

Jerold C. Frakes

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1. Introduction

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Frakes, Jerold C.. "1. Introduction". Brides and Doom: Gender, Property, and Power in Medieval German Women's Epic, Philadelphia: University of Pennsylvania Press, 2018, pp. 1-16. https://doi.org/10.9783/9781512816051-001

Frakes, J. (2018). 1. Introduction. In Brides and Doom: Gender, Property, and Power in Medieval German Women's Epic (pp. 1-16). Philadelphia: University of Pennsylvania Press. https://doi.org/10.9783/9781512816051-001

Frakes, J. 2018. 1. Introduction. Brides and Doom: Gender, Property, and Power in Medieval German Women's Epic. Philadelphia: University of Pennsylvania Press, pp. 1-16. https://doi.org/10.9783/9781512816051-001

Frakes, Jerold C.. "1. Introduction" In Brides and Doom: Gender, Property, and Power in Medieval German Women's Epic, 1-16. Philadelphia: University of Pennsylvania Press, 2018. https://doi.org/10.9783/9781512816051-001

Frakes J. 1. Introduction. In: Brides and Doom: Gender, Property, and Power in Medieval German Women's Epic. Philadelphia: University of Pennsylvania Press; 2018. p.1-16. https://doi.org/10.9783/9781512816051-001

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Chapters in this book

Frontmatter I
Contents VII
1. Introduction 1
2. Philology and/as Patriarchy: The Conventions of Nibelungenlied Scholarship 17
3. Women, Property, and Power 47
4. Pillow Talk: Intimate Conversations – Political Strategies 96
5. Teuton as Amazon: The Devil's Bride and the She-Devil 137
6. Inconclusive Intermezzo: The Monsters, the Critics, Diu Klage 170
7. Women, Sovereignty, and Class in Kudrun 182
8. Suone as Social (Trans)formation 219
9. Women’s Epic and/as Masculist Backlash 255
Bibliography 267
Index 289

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https://doi.org/10.9783/9781512816051-001

Chapters in this book

Frontmatter I
Contents VII
1. Introduction 1
2. Philology and/as Patriarchy: The Conventions of Nibelungenlied Scholarship 17
3. Women, Property, and Power 47
4. Pillow Talk: Intimate Conversations – Political Strategies 96
5. Teuton as Amazon: The Devil's Bride and the She-Devil 137
6. Inconclusive Intermezzo: The Monsters, the Critics, Diu Klage 170
7. Women, Sovereignty, and Class in Kudrun 182
8. Suone as Social (Trans)formation 219
9. Women’s Epic and/as Masculist Backlash 255
Bibliography 267
Index 289

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1. Introduction

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