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2. The Pulpit Performance and the Two-Edged Sword
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Chapters in this book
- Frontmatter I
- Contents VII
- Preface IX
- Acknowledgments XI
- 1. Introduction: Bucer's Round Church and Shakespeare's "Wooden O"–The Circulation of the Reformation Sermon and the Renaissance Play 1
-
Part I: Polemics and Irenics at Paul's Cross
- 2. The Pulpit Performance and the Two-Edged Sword 31
- 3. "Holy Cozenage" and the Renaissance Cult of the Ear 50
-
Part II: Comic Edification and Inclusion
- 4. Satire and Social Structure 73
- 5. "Strange Tempests": The Rhetoric of Judgment in Field and Shakespeare 95
-
Part III: Tragedy: Watershed and Confluence
- 6. The Mist and the Wilderness: Protestant Paradox in Gifford and Webster 123
- 7. Donne in on Shakespeare's Stage: The Theology and Theatrics of Renaissance Dying 141
- Conclusion 159
- Notes 161
- Bibliography 187
- Index 201
Chapters in this book
- Frontmatter I
- Contents VII
- Preface IX
- Acknowledgments XI
- 1. Introduction: Bucer's Round Church and Shakespeare's "Wooden O"–The Circulation of the Reformation Sermon and the Renaissance Play 1
-
Part I: Polemics and Irenics at Paul's Cross
- 2. The Pulpit Performance and the Two-Edged Sword 31
- 3. "Holy Cozenage" and the Renaissance Cult of the Ear 50
-
Part II: Comic Edification and Inclusion
- 4. Satire and Social Structure 73
- 5. "Strange Tempests": The Rhetoric of Judgment in Field and Shakespeare 95
-
Part III: Tragedy: Watershed and Confluence
- 6. The Mist and the Wilderness: Protestant Paradox in Gifford and Webster 123
- 7. Donne in on Shakespeare's Stage: The Theology and Theatrics of Renaissance Dying 141
- Conclusion 159
- Notes 161
- Bibliography 187
- Index 201