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Chapters in this book
- Frontmatter I
- Contents V
- Introduction 1
-
I. PRELIMINARY CONSIDERATIONS
- 1. Toward a Delimitation of the Trobairitz Corpus 31
- 2. Las trobairitz soiseubudas 45
-
II. THE VOICE OF THE TROBAIRITZ
- 3. Notes Toward the Study of a Female Rhetoric in the Trobairitz 63
- 4. Was Bieiris de Romans Lesbian? Women’s Relations with Each Other in the World of the Troubadours 73
- 5. “Tost me trobaretz fenida”: Reciprocating Composition in the Songs of Castelloza 95
- 6. Suffering Love: The Reversed Order in the Poetry of Na Castelloza 113
- 7. The Sirventes by Gormonda de Monpeslier 129
- 8. Derivation, Derived Rhyme, and the Trobairitz 157
- 9. Lombarda’s Reluctant Mirror: Speculum of Another Poet 183
-
III. RECEPTION
- 10. The Troubled Existence of Three Women Poets 197
- 11. Images of Women and Imagined Trobairitz in the Béziers Chansonnier 211
- Checklist of Poems by the Trobairitz 227
- Bibliography 239
- Index 255
- Contributors 265
- Backmatter 266
Chapters in this book
- Frontmatter I
- Contents V
- Introduction 1
-
I. PRELIMINARY CONSIDERATIONS
- 1. Toward a Delimitation of the Trobairitz Corpus 31
- 2. Las trobairitz soiseubudas 45
-
II. THE VOICE OF THE TROBAIRITZ
- 3. Notes Toward the Study of a Female Rhetoric in the Trobairitz 63
- 4. Was Bieiris de Romans Lesbian? Women’s Relations with Each Other in the World of the Troubadours 73
- 5. “Tost me trobaretz fenida”: Reciprocating Composition in the Songs of Castelloza 95
- 6. Suffering Love: The Reversed Order in the Poetry of Na Castelloza 113
- 7. The Sirventes by Gormonda de Monpeslier 129
- 8. Derivation, Derived Rhyme, and the Trobairitz 157
- 9. Lombarda’s Reluctant Mirror: Speculum of Another Poet 183
-
III. RECEPTION
- 10. The Troubled Existence of Three Women Poets 197
- 11. Images of Women and Imagined Trobairitz in the Béziers Chansonnier 211
- Checklist of Poems by the Trobairitz 227
- Bibliography 239
- Index 255
- Contributors 265
- Backmatter 266