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Contents

© 2016 University of Pennsylvania Press, 3905 Spruce Street Philadelphia, Pennsylvania 19104-4112

© 2016 University of Pennsylvania Press, 3905 Spruce Street Philadelphia, Pennsylvania 19104-4112

Chapters in this book

  1. Frontmatter I
  2. Contents V
  3. Introduction VII
  4. Part I. Gertrude Stein (1874-1946)
  5. 1. Recovering the Repression in Stein’s Erotic Poetry 3
  6. 2. History as Conjugation: Stein’s Stanzas in Meditation and the Literary History of the Modernist Long Poem 26
  7. Part II. H. D. (1886-1961)
  8. 3. H. D., Modernism, and the Transgressive Sexualities of Decadent-Romantic Platonism 45
  9. 4. Pornopoeia, the Modernist Canon, and the Cultural Capital of Sexual Literacy: The Case of H. D. 69
  10. Part III. Marianne Moore (1887-1972)
  11. 5. “So As to Be One Having Some Way of Being One Having Some Way of Working”: Marianne Moore and Literary Tradition 97
  12. 6. “The Frigate Pelican” ’s Progress: Marianne Moore’s Multiple Versions and Modernist Practice 117
  13. Part IV. Edna St. Vincent Millay (1892-1950)
  14. 7. Jouissance and the Sentimental Daughter: Edna St. Vincent Millay 143
  15. 8. Antimodern, Modern, and Postmodern Millay: Contexts of Revaluation 170
  16. Part V. Laura (Riding) Jackson (1901-1991)
  17. 9. Laura (Riding) Jackson’s “Really New” Poem 191
  18. Part VI. Elizabeth Bishop (1911-1979)
  19. 10. The Elizabeth Bishop Phenomenon 217
  20. Part VII. Muriel Rukeyser (1913-1980)
  21. 11. Muriel Rukeyser and Her Literary Critics 247
  22. 12. “The Buried Life and the Body of Waking”: Muriel Rukeyser and the Politics of Literary History 264
  23. Part VIII. Gwendolyn Brooks (1917– )
  24. 13. Whose Canon? Gwendolyn Brooks: Founder at the Center of the “Margins” 283
  25. Contributors 313
  26. Index 315
  27. Backmatter 322
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Gendered Modernisms
This chapter is in the book Gendered Modernisms
https://doi.org/10.9783/9781512801668-toc

Chapters in this book

  1. Frontmatter I
  2. Contents V
  3. Introduction VII
  4. Part I. Gertrude Stein (1874-1946)
  5. 1. Recovering the Repression in Stein’s Erotic Poetry 3
  6. 2. History as Conjugation: Stein’s Stanzas in Meditation and the Literary History of the Modernist Long Poem 26
  7. Part II. H. D. (1886-1961)
  8. 3. H. D., Modernism, and the Transgressive Sexualities of Decadent-Romantic Platonism 45
  9. 4. Pornopoeia, the Modernist Canon, and the Cultural Capital of Sexual Literacy: The Case of H. D. 69
  10. Part III. Marianne Moore (1887-1972)
  11. 5. “So As to Be One Having Some Way of Being One Having Some Way of Working”: Marianne Moore and Literary Tradition 97
  12. 6. “The Frigate Pelican” ’s Progress: Marianne Moore’s Multiple Versions and Modernist Practice 117
  13. Part IV. Edna St. Vincent Millay (1892-1950)
  14. 7. Jouissance and the Sentimental Daughter: Edna St. Vincent Millay 143
  15. 8. Antimodern, Modern, and Postmodern Millay: Contexts of Revaluation 170
  16. Part V. Laura (Riding) Jackson (1901-1991)
  17. 9. Laura (Riding) Jackson’s “Really New” Poem 191
  18. Part VI. Elizabeth Bishop (1911-1979)
  19. 10. The Elizabeth Bishop Phenomenon 217
  20. Part VII. Muriel Rukeyser (1913-1980)
  21. 11. Muriel Rukeyser and Her Literary Critics 247
  22. 12. “The Buried Life and the Body of Waking”: Muriel Rukeyser and the Politics of Literary History 264
  23. Part VIII. Gwendolyn Brooks (1917– )
  24. 13. Whose Canon? Gwendolyn Brooks: Founder at the Center of the “Margins” 283
  25. Contributors 313
  26. Index 315
  27. Backmatter 322
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