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Chapter Six. Satire, Drama, and Censorship
Submerged Literary Circles at the Cathedral
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Kathryn Kerby-Fulton
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Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations x
- Preface. “Decidedly not the national language” xiii
- Introduction. The Clericus Class, Underemployment, and the Golden Age of Middle English Poetry 1
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Part I. Clerical Proletarians and the Resurgence of English Poetry: Vocational Crisis and Self- Representation
- Chapter One. Precedents for Clerical Crisis and Authorial Intervention in Early Middle English 35
- Chapter Two. Poetry of Vocational Crisis in Langland’s Apologia and the Early Langlandian Tradition 77
- Chapter Three. Career Disappointment and Langlandian Tradition I 110
- Chapter Four. Career Disappointment and Langlandian Tradition II 140
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Part II. The Liturgical and CATHEDRAL SERVICE CLASS AND Resurgent English Verse
- Chapter Five. Cathedral Songs 177
- Chapter Six. Satire, Drama, and Censorship 218
- Chapter Seven. The Clerical Proletariat and Public Genres of the Cathedral World 261
- Conclusion. The Poet as Public Intellectual 298
- Notes 307
- Index 373
- Acknowledgments 387
Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations x
- Preface. “Decidedly not the national language” xiii
- Introduction. The Clericus Class, Underemployment, and the Golden Age of Middle English Poetry 1
-
Part I. Clerical Proletarians and the Resurgence of English Poetry: Vocational Crisis and Self- Representation
- Chapter One. Precedents for Clerical Crisis and Authorial Intervention in Early Middle English 35
- Chapter Two. Poetry of Vocational Crisis in Langland’s Apologia and the Early Langlandian Tradition 77
- Chapter Three. Career Disappointment and Langlandian Tradition I 110
- Chapter Four. Career Disappointment and Langlandian Tradition II 140
-
Part II. The Liturgical and CATHEDRAL SERVICE CLASS AND Resurgent English Verse
- Chapter Five. Cathedral Songs 177
- Chapter Six. Satire, Drama, and Censorship 218
- Chapter Seven. The Clerical Proletariat and Public Genres of the Cathedral World 261
- Conclusion. The Poet as Public Intellectual 298
- Notes 307
- Index 373
- Acknowledgments 387