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  • José Antonio González Zarandona
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Murujuga
This chapter is in the book Murujuga
© 2020 University of Pennsylvania Press, 3905 Spruce Street Philadelphia, Pennsylvania 19104-4112

© 2020 University of Pennsylvania Press, 3905 Spruce Street Philadelphia, Pennsylvania 19104-4112

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Foreword vii
  4. Abbreviations xiii
  5. Introduction 1
  6. Part I. Murujuga
  7. Chapter 1. Situating Murujuga 11
  8. Chapter 2. Murujuga and Its Meanings 41
  9. Part II. From the Colonial Gaze to the Academic Appreciation of Rock Art
  10. Chapter 3. The Colonial Gaze 79
  11. Chapter 4. Rude Aesthetics 85
  12. Chapter 5. The Colonization of the Landscape 123
  13. Part III. Landscape and Heritage
  14. Chapter 6. The Destruction of Landscape in Murujuga 143
  15. Chapter 7. The Making of Heritage 186
  16. Part IV. A Theory of Landscape Iconoclasm
  17. Chapter 8. Landscape Iconoclasm 209
  18. Conclusion 218
  19. Notes 221
  20. Bibliography 259
  21. Index 285
  22. Acknowledgments 295
https://doi.org/10.9783/9780812296983-015

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Foreword vii
  4. Abbreviations xiii
  5. Introduction 1
  6. Part I. Murujuga
  7. Chapter 1. Situating Murujuga 11
  8. Chapter 2. Murujuga and Its Meanings 41
  9. Part II. From the Colonial Gaze to the Academic Appreciation of Rock Art
  10. Chapter 3. The Colonial Gaze 79
  11. Chapter 4. Rude Aesthetics 85
  12. Chapter 5. The Colonization of the Landscape 123
  13. Part III. Landscape and Heritage
  14. Chapter 6. The Destruction of Landscape in Murujuga 143
  15. Chapter 7. The Making of Heritage 186
  16. Part IV. A Theory of Landscape Iconoclasm
  17. Chapter 8. Landscape Iconoclasm 209
  18. Conclusion 218
  19. Notes 221
  20. Bibliography 259
  21. Index 285
  22. Acknowledgments 295
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