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Chapter 7. Exotic Audiences (1668–1715)
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Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
- Chapter 1. Orchestrating Dissonant Concord in the Bayonne Entertainments (1565) 11
- Chapter 2. The Ambassador’s Point of View, from London to Paris (1608–9) 33
- Chapter 3. National Actors on the Ballet Stage (1620s–30s) 58
- Chapter 4. Richelieu’s Allegories of War (1639–42) 82
- Chapter 5. Ballet Diplomacy at the Congress of Westphalia (1645–49) 107
- Chapter 6. Entertaining Personalities at Louis XIV’s Court (1653–69) 131
- Chapter 7. Exotic Audiences (1668–1715) 156
- Chapter 8. Diplomacy on the Public Stage (1697–1714) 185
- Conclusion 209
- Notes 215
- Bibliography 271
- Index 291
- Acknowledgments 301
Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
- Chapter 1. Orchestrating Dissonant Concord in the Bayonne Entertainments (1565) 11
- Chapter 2. The Ambassador’s Point of View, from London to Paris (1608–9) 33
- Chapter 3. National Actors on the Ballet Stage (1620s–30s) 58
- Chapter 4. Richelieu’s Allegories of War (1639–42) 82
- Chapter 5. Ballet Diplomacy at the Congress of Westphalia (1645–49) 107
- Chapter 6. Entertaining Personalities at Louis XIV’s Court (1653–69) 131
- Chapter 7. Exotic Audiences (1668–1715) 156
- Chapter 8. Diplomacy on the Public Stage (1697–1714) 185
- Conclusion 209
- Notes 215
- Bibliography 271
- Index 291
- Acknowledgments 301