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III.4. Fragments
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Chapters in this book
- Frontmatter i
- Contents vii
- Introduction 1
-
PART I. What Is Print?
- Chapter 1. Paleography Versus Typography 11
- Chapter 2. “Ca. 1800”: What’s in a Date? 37
- Chapter 3. Bibliographers of the Mind 58
-
PART II. On the Making of Lists
- Chapter 4. Herman R. Mead’s Incunabula in the Huntington Library and the Notion of “Typographical Value” 75
- Chapter 5. Catchtitles in English Books to 1550 92
- Chapter 6. An Editorial Propaedeutic 106
-
PART III. Ironies of History and Representation: Theme and Variation
- Playing Bibliography 127
- III.1. Book History and Book Histories: On the Making of Lists 130
- III.2. Meditation on the Composing Stick 139
- III.3. The Red and the Black 149
- III.4. Fragments 156
- III.5. The Nature and Function of Scholarly Illustration in a Digital World 165
- III.6. Art of the Mind 174
- Notes 183
- Principal Sources 209
- Index 215
- Acknowledgments 219
Chapters in this book
- Frontmatter i
- Contents vii
- Introduction 1
-
PART I. What Is Print?
- Chapter 1. Paleography Versus Typography 11
- Chapter 2. “Ca. 1800”: What’s in a Date? 37
- Chapter 3. Bibliographers of the Mind 58
-
PART II. On the Making of Lists
- Chapter 4. Herman R. Mead’s Incunabula in the Huntington Library and the Notion of “Typographical Value” 75
- Chapter 5. Catchtitles in English Books to 1550 92
- Chapter 6. An Editorial Propaedeutic 106
-
PART III. Ironies of History and Representation: Theme and Variation
- Playing Bibliography 127
- III.1. Book History and Book Histories: On the Making of Lists 130
- III.2. Meditation on the Composing Stick 139
- III.3. The Red and the Black 149
- III.4. Fragments 156
- III.5. The Nature and Function of Scholarly Illustration in a Digital World 165
- III.6. Art of the Mind 174
- Notes 183
- Principal Sources 209
- Index 215
- Acknowledgments 219