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Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Preface xi
- Abbreviations xiii
- 1. Dürer—Man, Media, and Myths 1
- 2. Dürer’s Drawings 12
- 3. Dürer and the High Art of Printmaking 35
- 4. Dürer as Painter 62
- 5. Dürer and Sculpture 74
- 6. Dürer and Venice 99
- 7. The Artist, His Horse, a Print, and Its Audience: Producing and Viewing the Ideal in Dürer’s Knight, Death, and the Devil (1513) 115
- 8. Civic Courtship: Albrecht Dürer, the Saxon Duke, and the Emperor 130
- 9. Dürer and the Netherlands: Patterns of Exchange and Mutual Admiration 149
- 10. Agony in the Garden: Dürer’s ‘‘Crisis of the Image’’ 166
- 11. Albrecht Dürer between Agnes Frey and Willibald Pirckheimer 185
- 12. Impossible Distance: Past and Present in the Study of Dürer and Grünewald 206
- Notes 227
- Short Bibliography 277
- Contributors 281
- Index 283
Chapters in this book
- Frontmatter i
- Contents v
- Illustrations vii
- Preface xi
- Abbreviations xiii
- 1. Dürer—Man, Media, and Myths 1
- 2. Dürer’s Drawings 12
- 3. Dürer and the High Art of Printmaking 35
- 4. Dürer as Painter 62
- 5. Dürer and Sculpture 74
- 6. Dürer and Venice 99
- 7. The Artist, His Horse, a Print, and Its Audience: Producing and Viewing the Ideal in Dürer’s Knight, Death, and the Devil (1513) 115
- 8. Civic Courtship: Albrecht Dürer, the Saxon Duke, and the Emperor 130
- 9. Dürer and the Netherlands: Patterns of Exchange and Mutual Admiration 149
- 10. Agony in the Garden: Dürer’s ‘‘Crisis of the Image’’ 166
- 11. Albrecht Dürer between Agnes Frey and Willibald Pirckheimer 185
- 12. Impossible Distance: Past and Present in the Study of Dürer and Grünewald 206
- Notes 227
- Short Bibliography 277
- Contributors 281
- Index 283