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Introduction
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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Introduction 1
-
Part I. Pleasures and Prohibitions
- Introduction 13
- Chapter 1. Inventing the Early Modern Woman Reader through the World of Goods: Lyly’s Gentlewoman Reader and Katherine Stubbes 15
- Chapter 2. Engendering the Female Reader: Women’s Recreational Reading of Shakespeare in Early Modern England 36
- Chapter 3. Crafting Subjectivities: Women, Reading, and Self-Imagining 55
-
Part II. Practices and Accomplishment
- Introduction 75
- Chapter 4. ‘‘you sow, Ile read’’: Letters and Literacies in Early Modern Samplers 79
- Chapter 5. The Female World of Classical Reading in Eighteenth-Century America 105
- Chapter 6. Reading and the Problem of Accomplishment 124
-
Part III. Translation and Authorship
- Introduction 147
- Chapter 7. ‘‘Who Painted the Lion?’’ Women and Novelle 151
- Chapter 8. The Word Made Flesh: Reading Women and the Bible 169
- Chapter 9. ‘‘With All Due Reverence and Respect to the Word of God’’: Aphra Behn as Skeptical Reader of the Bible and Critical Translator of Fontenelle 199
- Chapter 10. Female Curiosities: The Transatlantic Female Commonplace Book 217
-
Part IV. Afterword
- Chapter 11. Reading Outside the Frame 247
- Notes on Contributors 255
- Index 259
- Acknowledgments 265
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Introduction 1
-
Part I. Pleasures and Prohibitions
- Introduction 13
- Chapter 1. Inventing the Early Modern Woman Reader through the World of Goods: Lyly’s Gentlewoman Reader and Katherine Stubbes 15
- Chapter 2. Engendering the Female Reader: Women’s Recreational Reading of Shakespeare in Early Modern England 36
- Chapter 3. Crafting Subjectivities: Women, Reading, and Self-Imagining 55
-
Part II. Practices and Accomplishment
- Introduction 75
- Chapter 4. ‘‘you sow, Ile read’’: Letters and Literacies in Early Modern Samplers 79
- Chapter 5. The Female World of Classical Reading in Eighteenth-Century America 105
- Chapter 6. Reading and the Problem of Accomplishment 124
-
Part III. Translation and Authorship
- Introduction 147
- Chapter 7. ‘‘Who Painted the Lion?’’ Women and Novelle 151
- Chapter 8. The Word Made Flesh: Reading Women and the Bible 169
- Chapter 9. ‘‘With All Due Reverence and Respect to the Word of God’’: Aphra Behn as Skeptical Reader of the Bible and Critical Translator of Fontenelle 199
- Chapter 10. Female Curiosities: The Transatlantic Female Commonplace Book 217
-
Part IV. Afterword
- Chapter 11. Reading Outside the Frame 247
- Notes on Contributors 255
- Index 259
- Acknowledgments 265