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11. Oneself as The Other: Hall, Evguenia Souline, and the Final Writing
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- Illustrations ix
- Preface xi
- Introduction. Writing Radclyffe Hall Writing 1
- 1. Reading the Poetry 25
- 2. Psychic Incorporation: War, Mourning, and the Technology of Mediumship 53
- 3. Symbiosis of Publicity and Privacy: The Slander Trial of 1920 77
- 4. The Unlit Lamp: A Feminist Experiment 96
- 5. Paris and the Culture of Auto/biography in The Forge 115
- 6. Una Troubridge and Gender Performativity in A Saturday Life 138
- 7. Catholicism, Adam’s Breed, and the Sacred Well 164
- 8. The Well of Loneliness as an Activist Text 186
- 9. From Sexual Inversion to Cross Gender in ‘‘Miss Ogilvy Finds Herself’’ 214
- 10. After Economic Man: ‘‘The Rest Cure–1932’’ 228
- 11. Oneself as The Other: Hall, Evguenia Souline, and the Final Writing 237
- Notes 265
- Bibliography 293
- Index 307
- Acknowledgments 317
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Illustrations ix
- Preface xi
- Introduction. Writing Radclyffe Hall Writing 1
- 1. Reading the Poetry 25
- 2. Psychic Incorporation: War, Mourning, and the Technology of Mediumship 53
- 3. Symbiosis of Publicity and Privacy: The Slander Trial of 1920 77
- 4. The Unlit Lamp: A Feminist Experiment 96
- 5. Paris and the Culture of Auto/biography in The Forge 115
- 6. Una Troubridge and Gender Performativity in A Saturday Life 138
- 7. Catholicism, Adam’s Breed, and the Sacred Well 164
- 8. The Well of Loneliness as an Activist Text 186
- 9. From Sexual Inversion to Cross Gender in ‘‘Miss Ogilvy Finds Herself’’ 214
- 10. After Economic Man: ‘‘The Rest Cure–1932’’ 228
- 11. Oneself as The Other: Hall, Evguenia Souline, and the Final Writing 237
- Notes 265
- Bibliography 293
- Index 307
- Acknowledgments 317