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Index
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Chapters in this book
- Frontmatter i
- Contents vii
-
Part I. Introduction The Green and the Real
- 1. Ecology, Epistemology, and Empiricism 3
- 2. Theology, Semiotics, and Literature 36
-
Part II. Paradoxes Alienation from Nature in English Literature
- 3. As You Liken It: Simile in the Forest 77
- 4. Shades of Green: Marvell’s Garden and the Mowers 108
-
Part III. Reformations Protestant Politics, Poetics, and Paintings
- 5. Metaphysical and Cavalier Styles of Consciousness 137
- 6. The Retreat of God, the Passions of Nature, and the Objects of Dutch Painting 166
- 7. Nature in Two Dimensions: Perspective and Presence in Ryckaert, Vermeer, and Others 226
-
Part IV. Solutions The Consolations of Mediation
- 8. Metal and Flesh in The Merchant of Venice: Shining Substitutes and Approximate Values 257
- 9. Thomas Traherne: The World as Present 297
- Conclusion 324
- Notes 337
- Bibliography 397
- Index 419
- Acknowledgments 437
Chapters in this book
- Frontmatter i
- Contents vii
-
Part I. Introduction The Green and the Real
- 1. Ecology, Epistemology, and Empiricism 3
- 2. Theology, Semiotics, and Literature 36
-
Part II. Paradoxes Alienation from Nature in English Literature
- 3. As You Liken It: Simile in the Forest 77
- 4. Shades of Green: Marvell’s Garden and the Mowers 108
-
Part III. Reformations Protestant Politics, Poetics, and Paintings
- 5. Metaphysical and Cavalier Styles of Consciousness 137
- 6. The Retreat of God, the Passions of Nature, and the Objects of Dutch Painting 166
- 7. Nature in Two Dimensions: Perspective and Presence in Ryckaert, Vermeer, and Others 226
-
Part IV. Solutions The Consolations of Mediation
- 8. Metal and Flesh in The Merchant of Venice: Shining Substitutes and Approximate Values 257
- 9. Thomas Traherne: The World as Present 297
- Conclusion 324
- Notes 337
- Bibliography 397
- Index 419
- Acknowledgments 437