Presented to you through Paradigm Publishing Services
Manchester University Press
Chapter
Publicly Available
Contents
Chapters in this book
- Front matter i
- Series introduction v
- Contents vii
- List of illustrations ix
- Contributors x
- Acknowledgements xiii
- Introduction 1
- Part I: Conceptualising performance, theorising politics 17
- 1 ‘To the last drop of my blood’ 21
- 2 The platform and the stage 44
- 3 Bubbles of the day 59
- 4 Theatrical hierarchy, cultural capitaland the legitimate/illegitimate divide 75
- 5 Performance for imagined communities 96
- 6 Women’s suffrage and theatricality 111
- Part II: Politics in performance 129
- 7 English pantomime and the Irish Question 131
- 8 ‘Executed with remarkable care and artistic feeling’ 152
- 9 Drury Lane imperialism 174
- Part III: The performance of politics 195
- 10 ‘Love, bitter wrong, freedom, sad pity, and lust of power’ 199
- 11 Sir Robert Peel as actor-dramatis 216
- 12 The performance of protest 237
- 13 Class, performance and socialist politics 259
- Index 276
Chapters in this book
- Front matter i
- Series introduction v
- Contents vii
- List of illustrations ix
- Contributors x
- Acknowledgements xiii
- Introduction 1
- Part I: Conceptualising performance, theorising politics 17
- 1 ‘To the last drop of my blood’ 21
- 2 The platform and the stage 44
- 3 Bubbles of the day 59
- 4 Theatrical hierarchy, cultural capitaland the legitimate/illegitimate divide 75
- 5 Performance for imagined communities 96
- 6 Women’s suffrage and theatricality 111
- Part II: Politics in performance 129
- 7 English pantomime and the Irish Question 131
- 8 ‘Executed with remarkable care and artistic feeling’ 152
- 9 Drury Lane imperialism 174
- Part III: The performance of politics 195
- 10 ‘Love, bitter wrong, freedom, sad pity, and lust of power’ 199
- 11 Sir Robert Peel as actor-dramatis 216
- 12 The performance of protest 237
- 13 Class, performance and socialist politics 259
- Index 276