Home Literary Studies 7 Invasion-scare literature and the First World War
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7 Invasion-scare literature and the First World War

  • Christian K. Melby
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Invasions
This chapter is in the book Invasions

Abstract

The final chapter of the book shows how invasion-scare literature was mobilised for war in 1914-1918. Showing many of the same trends that were evident in 1871, the chapter argues that invasion-scare texts (and visual culture and films) were used to mobilise opinion for the war effort, but that here too the stories could be imbued with different meanings. Older stories, including The Battle of Dorking, were republished in 1914, but were read with new eyes: either as foretelling the war, or as examples of British militaristic tendencies. As a genre that could be fitted to suit different arguments, pre-war invasion-scare texts were attempted used as war propaganda, and new stories were written with the same characteristics as pre-war literature.

Abstract

The final chapter of the book shows how invasion-scare literature was mobilised for war in 1914-1918. Showing many of the same trends that were evident in 1871, the chapter argues that invasion-scare texts (and visual culture and films) were used to mobilise opinion for the war effort, but that here too the stories could be imbued with different meanings. Older stories, including The Battle of Dorking, were republished in 1914, but were read with new eyes: either as foretelling the war, or as examples of British militaristic tendencies. As a genre that could be fitted to suit different arguments, pre-war invasion-scare texts were attempted used as war propaganda, and new stories were written with the same characteristics as pre-war literature.

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