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18 Between the departures and arrivals

Embodied experience, photography, and writing

Abstract

Seeking to “rewire” scholarly possibilities for the history of feminism in Iran, Azadeh Fatehrad develops an original visual narrative forged of image and text, as she meditates on the fold as temporal and spatial form, weaving together embodied encounters with imagery of the veil in photographic archive and in memory.

Abstract

Seeking to “rewire” scholarly possibilities for the history of feminism in Iran, Azadeh Fatehrad develops an original visual narrative forged of image and text, as she meditates on the fold as temporal and spatial form, weaving together embodied encounters with imagery of the veil in photographic archive and in memory.

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